On how people describe paintings with mirrors
Since antiquity humans have been fascinated by mirrors; yet, when asked to predict what is made visible in the reflection, or to interpret a scene with a mirror, observers make systematic errors. Many observers claim that a character in a scene is looking at themselves when their reflection is visible, despite not sharing the same viewpoint. The first part of the study consisted of a survey of artworks containing mirrors, and the creation of a catalogue. The second part, using 21 artworks and an online methodology (N = 97), confirmed that the Venus effect impacts most participants. The third part (N = 101) tested whether the effect relates to cognitive/emotional perspective-taking - taking the perspective of someone else - or visual perspective-taking - understanding what can be seen from a certain viewpoint. We related the magnitude of the Venus effect to scores on the AQ test (as a measure of cognitive/emotional perspective-taking) and the ROMP test (as a measure of visual perspective-taking). AQ scores did not predict the Venus effect, and ROMP scores did. We conclude that the Venus effect is likely to occur because people fail to understand what can be seen from a given viewpoint.
Authors
- Segura Díaz
- Marco Bertamini (ORCID: https://orcid.org/0000-0001-8617-6864)
- Alessandro Soranzo (ORCID: https://orcid.org/0000-0002-4445-1968)
- Lucia Monaco (ORCID: https://orcid.org/0000-0002-1986-1711)
Institutions
- University of Padua (IT)
- University of Calabria (IT)
Publication Details
- Journal
- British Journal of Psychology
- Published
- 2025-11-21
- DOI
- https://doi.org/10.1111/bjop.70042
- Primary Topic
- Aesthetic Perception and Analysis
- Type
- article
- Field-Weighted Citation Impact
- 0.00