An Impostor's Diary: Sipur David Ha-Reuveni 's Novel Literary Genre and Complex Relationship with Truth

Abstract: David Ha-Reuveni, a sixteenth-century Jewish man of unknown origin claiming to be a prince of the Lost Tribes of Israel, was the author of one of the earliest—and most puzzling—of extant autobiographical documents of early modern Jewish culture. This work, a diary of an impostor, the literary aspects of which have received little scholarly attention to date, is a fascinating case study in self-fashioning. Employing the category of genre, and carefully analyzing this composition's layered truth claim, this paper mines Ha-Reuveni's scrappy, inventive employment of existing literary models. It examines this new kind of literary creation for a new perspective into the construction of identity, sincerity, and deceit—reflective of one extraordinary man, and of the culture and discourse within which he operated.

Authors

Publication Details

Journal
AJS Review The Journal of the Association for Jewish Studies
Published
2025-11-01
DOI
https://doi.org/10.1353/ajs.2025.a974646
Primary Topic
Medieval and Classical Philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

An Impostor's Diary: Sipur David Ha-Reuveni 's Novel Literary Genre and Complex Relationship with Truth

Ossnat Sharon-Pinto
AJS Review The Journal of the Association for Jewish Studies
Medieval and Classical Philosophy
article

An Impostor's Diary: Sipur David Ha-Reuveni 's Novel Literary Genre and Complex Relationship with Truth

Ossnat Sharon-Pinto
article en

Abstract

Abstract: David Ha-Reuveni, a sixteenth-century Jewish man of unknown origin claiming to be a prince of the Lost Tribes of Israel, was the author of one of the earliest—and most puzzling—of extant autobiographical documents of early modern Jewish culture. This work, a diary of an impostor, the literary aspects of which have received little scholarly attention to date, is a fascinating case study in self-fashioning. Employing the category of genre, and carefully analyzing this composition's layered truth claim, this paper mines Ha-Reuveni's scrappy, inventive employment of existing literary models. It examines this new kind of literary creation for a new perspective into the construction of identity, sincerity, and deceit—reflective of one extraordinary man, and of the culture and discourse within which he operated.

AJS Review The Journal of the Association for Jewish StudiesVol. 49(2)
Openalex Percentile: Top 68%
Medieval and Classical Philosophy
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