Jesus Christus, die Erlösung der europäischen Seele.

Abstract Egon Friedell (1878–1938) is widely regarded as one of Austria’s most significant writers and essayists of the early 20 th century and most renowned for the three-volume Culture History of the Modern Age . However, the religious dimensions of his oeuvre have received only limited scholarly attention to date. This paper explores Friedell’s unique relationship to Christianity. A highly talented individual, Friedell was a polyhistor, an autodidact and, above all, a strong believer. He conceptualised himself as a religious amateur, yet asserted that he possessed superior access to the transcendent dimensions of the world compared to professionals with formal theological education. Fascinated by the figure of Jesus of Nazareth whom he saw as the absolute centre of human history, Friedell was convinced that only genius and intuition could unlock the essence of the Gospel. A great talent for poetry, a fresh spirit of religious amateurishness and a deeply rooted personal faith form a unique synthesis in early 20 th century thought.

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Publication Details

Journal
Journal for the History of Modern Theology / Zeitschrift für Neuere Theologiegeschichte
Published
2025-11-20
DOI
https://doi.org/10.1515/znth-2025-0015
Primary Topic
Moravian Church and William Blake
Type
article
Field-Weighted Citation Impact
0.00
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article

Jesus Christus, die Erlösung der europäischen Seele.

Julius Trugenberger
Journal for the History of Modern Theology / Zeitschrift für Neuere Theologiegeschichte
Moravian Church and William Blake
article

Jesus Christus, die Erlösung der europäischen Seele.

Julius Trugenberger
article en

Abstract

Abstract Egon Friedell (1878–1938) is widely regarded as one of Austria’s most significant writers and essayists of the early 20 th century and most renowned for the three-volume Culture History of the Modern Age . However, the religious dimensions of his oeuvre have received only limited scholarly attention to date. This paper explores Friedell’s unique relationship to Christianity. A highly talented individual, Friedell was a polyhistor, an autodidact and, above all, a strong believer. He conceptualised himself as a religious amateur, yet asserted that he possessed superior access to the transcendent dimensions of the world compared to professionals with formal theological education. Fascinated by the figure of Jesus of Nazareth whom he saw as the absolute centre of human history, Friedell was convinced that only genius and intuition could unlock the essence of the Gospel. A great talent for poetry, a fresh spirit of religious amateurishness and a deeply rooted personal faith form a unique synthesis in early 20 th century thought.

Journal for the History of Modern Theology / Zeitschrift für Neuere Theologiegeschichte
Ravensburg University of Cooperative Education (DE)
Openalex Percentile: Top 65%
Moravian Church and William Blake
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