A Qualitative Inquiry on Problematic Music in the Lives of Rehabilitated Substance Abusers: From Past-to-Present

This phenomenological study explores how individuals in long-term recovery from substance use disorders (SUD) cope with problematic music (PM). Semi-structured interviews were conducted with 23 people in sustained recovery after attending treatment centers. Thematic analysis identified three distinct groups. The <i>alternative group</i> received no guidance on music consumption, experiencing three phases: recognizing and avoiding PM's, adopting alternative music genres, and currently remaining susceptible to PM while exclusively listening to alternative genres. The <i>ambivalent group</i> were told regarding PM's dangers and went through two phases: informed regarding the danger and avoiding PM, followed by developing ambivalence toward PM. The <i>tolerant group</i> participated in group music therapy, undergoing four phases: recognizing PM's danger, avoiding PM and adopting alternative genres, developing tolerance by forming new associations with PM, and maintaining this tolerance during recovery. The study highlights the importance of music therapy in addressing musical triggers and supporting sustained recovery in individuals with SUD.

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Publication Details

Journal
International Journal of Offender Therapy and Comparative Criminology
Published
2025-11-20
DOI
https://doi.org/10.1177/0306624x251391781
Primary Topic
Music Therapy and Health
Type
article
Field-Weighted Citation Impact
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article

A Qualitative Inquiry on Problematic Music in the Lives of Rehabilitated Substance Abusers: From Past-to-Present

Jeffrey Lozon, Moshe Bensimon
International Journal of Offender Therapy and Comparative Criminology
Music Therapy and Health
article

A Qualitative Inquiry on Problematic Music in the Lives of Rehabilitated Substance Abusers: From Past-to-Present

Jeffrey Lozon, Moshe Bensimon
article en

Abstract

This phenomenological study explores how individuals in long-term recovery from substance use disorders (SUD) cope with problematic music (PM). Semi-structured interviews were conducted with 23 people in sustained recovery after attending treatment centers. Thematic analysis identified three distinct groups. The <i>alternative group</i> received no guidance on music consumption, experiencing three phases: recognizing and avoiding PM's, adopting alternative music genres, and currently remaining susceptible to PM while exclusively listening to alternative genres. The <i>ambivalent group</i> were told regarding PM's dangers and went through two phases: informed regarding the danger and avoiding PM, followed by developing ambivalence toward PM. The <i>tolerant group</i> participated in group music therapy, undergoing four phases: recognizing PM's danger, avoiding PM and adopting alternative genres, developing tolerance by forming new associations with PM, and maintaining this tolerance during recovery. The study highlights the importance of music therapy in addressing musical triggers and supporting sustained recovery in individuals with SUD.

International Journal of Offender Therapy and Comparative Criminology
Bar-Ilan University (IL)
Openalex Percentile: Top 60%
Music Therapy and Health
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