Virtual reconstruction on original color of color-faded painting on bronze mirrors supported by non-destructive spectroscopic techniques

• Non-destructive spectroscopic techniques reveal the pigment distribution and color pattern on faded painting. • Micro-destructive analysis reveals the characterization of paintings techniques on bronze. • We propose a new method to virtually reconstruct color-faded painting on bronze. • The method improves the objectivity of reconstruction. Virtual reconstruction of color-faded painting on bronze mirrors relies on limited information. Existing techniques face significant difficulties in the recognition and reconstruction of missing patterns at both structural and iconographic levels. Painting on bronze in burial environments is prone to decay, fading, contamination, and corrosion, leading to defective areas. Reconstruction of patterns is crucial for archeology and art history. Moreover, the complex and irregular patterns of painting pose a further challenge. A method is proposed to resolve these issues. Concretely, pigment types, particle sizes, painting stratigraphy and technique were analyzed by scanning electron microscopy with energy dispersive spectroscopy and Raman spectroscopy; these data were used to re-create the original color palette of the painting. The exact distribution of each pigment and the color patterns were ascertained by macroscopic X-ray fluorescence spectroscopy and hyperspectral imaging to re-create the line drawing. Digital coloring of the line drawing with palette values virtually reconstructs the original colors and appearance of the painting on the bronze mirrors under ideal conditions. The study demonstrates improvements in the faithful reproduction of the original colors on painted bronze and provides new perspectives for the study of painted bronzes.

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Publication Details

Journal
Journal of Cultural Heritage
Published
2025-11-15
DOI
https://doi.org/10.1016/j.culher.2025.10.026
Primary Topic
Cultural Heritage Materials Analysis
Type
article
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article

Virtual reconstruction on original color of color-faded painting on bronze mirrors supported by non-destructive spectroscopic techniques

Zhimin Li, Youzhen Cai, Qinglin Ma, Linlin Li et al.
Journal of Cultural Heritage
Cultural Heritage Materials Analysis
article

Virtual reconstruction on original color of color-faded painting on bronze mirrors supported by non-destructive spectroscopic techniques

Zhimin Li, Youzhen Cai, Qinglin Ma, Linlin Li, Xuening Wang, Fung Jacky Wen, Liang Qu
article en

Abstract

• Non-destructive spectroscopic techniques reveal the pigment distribution and color pattern on faded painting. • Micro-destructive analysis reveals the characterization of paintings techniques on bronze. • We propose a new method to virtually reconstruct color-faded painting on bronze. • The method improves the objectivity of reconstruction. Virtual reconstruction of color-faded painting on bronze mirrors relies on limited information. Existing techniques face significant difficulties in the recognition and reconstruction of missing patterns at both structural and iconographic levels. Painting on bronze in burial environments is prone to decay, fading, contamination, and corrosion, leading to defective areas. Reconstruction of patterns is crucial for archeology and art history. Moreover, the complex and irregular patterns of painting pose a further challenge. A method is proposed to resolve these issues. Concretely, pigment types, particle sizes, painting stratigraphy and technique were analyzed by scanning electron microscopy with energy dispersive spectroscopy and Raman spectroscopy; these data were used to re-create the original color palette of the painting. The exact distribution of each pigment and the color patterns were ascertained by macroscopic X-ray fluorescence spectroscopy and hyperspectral imaging to re-create the line drawing. Digital coloring of the line drawing with palette values virtually reconstructs the original colors and appearance of the painting on the bronze mirrors under ideal conditions. The study demonstrates improvements in the faithful reproduction of the original colors on painted bronze and provides new perspectives for the study of painted bronzes.

Journal of Cultural HeritageVol. 77
Shanghai Museum (CN), State Administration of Cultural Heritage (CN), Palace Museum (CN), Chinese Academy of Cultural Heritage (CN), Shandong University of Science and Technology (CN)
Openalex Percentile: Top 66%
Cultural Heritage Materials Analysis
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