The Cosmos and the Cage: Masculinity and Mysticism in Blackwood's ‘The Eccentricity of Simon Parnacute’ (1910)

Algernon Blackwood's fascination with the concept of the personal ‘cage’ and the potential for liberation is central to both his worldview and literary legacy. This article explores these themes in his early, often-overlooked story, ‘The Eccentricity of Simon Parnacute ’, examining its depiction of emotional repression and freedom, particularly within the context of early twentieth-century hegemonic masculinity. Blackwood employs speculative fiction to explore supernatural phenomena but also to examine the speculative possibilities of human experience and societal transformation, offering a nuanced critique of hegemonic masculinity in Edwardian England that underscores his own personal beliefs in the enduring importance of maintaining a connection to the natural world.

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Publication Details

Journal
Gothic Studies
Published
2025-11-01
DOI
https://doi.org/10.3366/gothic.2025.0242
Primary Topic
Utopian, Dystopian, and Speculative Fiction
Type
article
Field-Weighted Citation Impact
0.00
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article

The Cosmos and the Cage: Masculinity and Mysticism in Blackwood's ‘The Eccentricity of Simon Parnacute’ (1910)

M. C. Harrison
Gothic Studies
Utopian, Dystopian, and Speculative Fiction
article

The Cosmos and the Cage: Masculinity and Mysticism in Blackwood's ‘The Eccentricity of Simon Parnacute’ (1910)

M. C. Harrison
article en

Abstract

Algernon Blackwood's fascination with the concept of the personal ‘cage’ and the potential for liberation is central to both his worldview and literary legacy. This article explores these themes in his early, often-overlooked story, ‘The Eccentricity of Simon Parnacute ’, examining its depiction of emotional repression and freedom, particularly within the context of early twentieth-century hegemonic masculinity. Blackwood employs speculative fiction to explore supernatural phenomena but also to examine the speculative possibilities of human experience and societal transformation, offering a nuanced critique of hegemonic masculinity in Edwardian England that underscores his own personal beliefs in the enduring importance of maintaining a connection to the natural world.

Gothic StudiesVol. 27(3)
Loughborough University (GB)
Openalex Percentile: Top 69%
Utopian, Dystopian, and Speculative Fiction
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