Whydunit? Narrative Perspective in <i>Adolescence</i>

‘Whydunit? Narrative Perspective in Adolescence’ explores how the Netflix miniseries uses narrative perspective to shape viewers’ understanding and emotional engagement. Departing from the traditional ‘whodunit’ format, the series centres not on uncovering the perpetrator of a murder – revealed early on as thirteen-year-old Jamie – but on exploring his motivation, revealing a deep generational divide in interpreting teenage behaviour and digital communication. The article analyses how shifting narrative alignments with key characters – Jamie’s father, the lead investigator and a psychologist – gradually guide the audience from empathy to confrontation with uncomfortable truths. It also highlights the series’ formal innovation – its single-take episodes and mobile camera work – as a tool for immersive storytelling that emphasises subjective access and emotional resonance. Ultimately, Adolescence is praised for resisting reductive moral judgements and instead prompting critical reflection on parental awareness, digital culture and the limits of adult understanding in the face of adolescent radicalisation.

Authors

Institutions

Publication Details

Journal
Journal of British Cinema and Television
Published
2025-10-01
DOI
https://doi.org/10.3366/jbctv.2025.0795
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Whydunit? Narrative Perspective in Adolescence

Matthias Brütsch
Journal of British Cinema and Television
Gender, Feminism, and Media
article

Whydunit? Narrative Perspective in Adolescence

Matthias Brütsch
article en

Abstract

‘Whydunit? Narrative Perspective in Adolescence’ explores how the Netflix miniseries uses narrative perspective to shape viewers’ understanding and emotional engagement. Departing from the traditional ‘whodunit’ format, the series centres not on uncovering the perpetrator of a murder – revealed early on as thirteen-year-old Jamie – but on exploring his motivation, revealing a deep generational divide in interpreting teenage behaviour and digital communication. The article analyses how shifting narrative alignments with key characters – Jamie’s father, the lead investigator and a psychologist – gradually guide the audience from empathy to confrontation with uncomfortable truths. It also highlights the series’ formal innovation – its single-take episodes and mobile camera work – as a tool for immersive storytelling that emphasises subjective access and emotional resonance. Ultimately, Adolescence is praised for resisting reductive moral judgements and instead prompting critical reflection on parental awareness, digital culture and the limits of adult understanding in the face of adolescent radicalisation.

Journal of British Cinema and TelevisionVol. 22(4)
University of Zurich (CH)
Openalex Percentile: Top 59%
Gender, Feminism, and Media
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Whydunit? Narrative Perspective in <i>Adolescence</i> — Matthias Brütsch · Journal of British Cinema and Television (2025) | TGRS Research Map | TGRS