La «cansada Musa» de Gabriel Lasso de la Vega. Escritura épica y legitimación autorial en la <i>Primera parte de Cortés valeroso</i> (1588) y <i>Mexicana</i> (1594)

Abstract This essay examines Gabriel Lasso de la Vega's epic project on the conquest of Mexico, which had two versions: Primera parte de Cortés valeroso y Mexicana , published in 1588, which the author rewrote and published in 1594 under the title Mexicana . The study focuses on the first-person narrator's interventions to analyze how Lasso de la Vega presents the exhaustion he feels in sticking to a narrative of events close to historical discourse and how, through a respectful yet ambitious imitation, he offers a different response from Alonso de Ercilla to introduce variety and fiction. Through the narrative twist introduced in the 1588 poem, which clears the path leading to Mexicana , Lasso accommodates the latest theoretical approaches and poetic models, adopting a strategy that provides a heroic idea of the poetic task. From the perspective of self-affirmation writing, his work constitutes a prominent example of late-century epic writing and the aspiration, through its cultivation, to literary and social authority.

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Publication Details

Journal
Romanistisches Jahrbuch
Published
2025-10-28
DOI
https://doi.org/10.1515/roja-2025-0011
Primary Topic
Early Modern Spanish Literature
Type
article
Field-Weighted Citation Impact
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article

La «cansada Musa» de Gabriel Lasso de la Vega. Escritura épica y legitimación autorial en la Primera parte de Cortés valeroso (1588) y Mexicana (1594)

Lara Vilà
Romanistisches Jahrbuch
Early Modern Spanish Literature
article

La «cansada Musa» de Gabriel Lasso de la Vega. Escritura épica y legitimación autorial en la Primera parte de Cortés valeroso (1588) y Mexicana (1594)

Lara Vilà
article en

Abstract

Abstract This essay examines Gabriel Lasso de la Vega's epic project on the conquest of Mexico, which had two versions: Primera parte de Cortés valeroso y Mexicana , published in 1588, which the author rewrote and published in 1594 under the title Mexicana . The study focuses on the first-person narrator's interventions to analyze how Lasso de la Vega presents the exhaustion he feels in sticking to a narrative of events close to historical discourse and how, through a respectful yet ambitious imitation, he offers a different response from Alonso de Ercilla to introduce variety and fiction. Through the narrative twist introduced in the 1588 poem, which clears the path leading to Mexicana , Lasso accommodates the latest theoretical approaches and poetic models, adopting a strategy that provides a heroic idea of the poetic task. From the perspective of self-affirmation writing, his work constitutes a prominent example of late-century epic writing and the aspiration, through its cultivation, to literary and social authority.

Romanistisches JahrbuchVol. 76(1)
Institut d'Assistència Sanitària (ES)
Openalex Percentile: Top 67%
Early Modern Spanish Literature
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