Decolonising the Concept of Environment in <i>Mbem</i> : An Igbo Indigenous Musical Style

Abstract Despite huge devastation of land in southeastern Nigeria, music scholarship in that region is yet to engage environmental crisis. This paper explicates environment through the concepts and practices of mbem , an indigenous musical style of the Igbo of southeastern Nigeria. Employing ethnomusicological and ecomusicological approaches, I argue that respect, cooperation and reciprocity, principles of Igbo Indigenous Ecological knowledge system, inform Igbo environmental perspectives and constitute sustainable environmental practices. This article contributes new theoretical perspectives to contemporary global debate on environmental sustainability, spiritual ecologies, and culture by its transdisciplinary conversation between music, environment, decolonialism, spirituality, and society in Igbo community.

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Publication Details

Journal
Yearbook for Traditional Music
Published
2024-12-01
DOI
https://doi.org/10.1017/ytm.2025.10026
Primary Topic
Diverse Musicological Studies
Type
article
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0.00
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article

Decolonising the Concept of Environment in Mbem : An Igbo Indigenous Musical Style

Ijeoma Iruka Forchu
Yearbook for Traditional Music
Diverse Musicological Studies
article

Decolonising the Concept of Environment in Mbem : An Igbo Indigenous Musical Style

Ijeoma Iruka Forchu
article en

Abstract

Abstract Despite huge devastation of land in southeastern Nigeria, music scholarship in that region is yet to engage environmental crisis. This paper explicates environment through the concepts and practices of mbem , an indigenous musical style of the Igbo of southeastern Nigeria. Employing ethnomusicological and ecomusicological approaches, I argue that respect, cooperation and reciprocity, principles of Igbo Indigenous Ecological knowledge system, inform Igbo environmental perspectives and constitute sustainable environmental practices. This article contributes new theoretical perspectives to contemporary global debate on environmental sustainability, spiritual ecologies, and culture by its transdisciplinary conversation between music, environment, decolonialism, spirituality, and society in Igbo community.

Yearbook for Traditional MusicVol. 56(2)
Openalex Percentile: Top 60%
Diverse Musicological Studies
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