Enriching exhibition scholarship

Abstract Evidence about art works which are shown together and how publics respond remains fragmented across institutions and platforms. Enriching Exhibition Scholarship (EES) combines socially generated texts (newspapers, Twitter, Instagram) with structured museum data using the Linked Art LOUD specifications, and applies text mining, entity reconciliation, and machine learning to automate fine-grained alignment of objects, events, and responses. The Ashmolean Museum held the exhibition Labyrinth, Knossos Myth & Reality, from February to July 2023, we used this opportunity to evaluate the combination of information from catalogue records, and social media. We find that pre-identified “highlights” dominate social mentions; institutional hashtags are widely adopted, while external tags and influential users amplify reach, suggesting opportunities to leverage ambient trends. Semi-automation reduces the labour of gathering exhibition-level evidence while preserving descriptive richness. The resulting interconnected corpus supports provenance research, studies of style transmission, inter-museum network analysis, and longitudinal tracking of exhibition themes by venue and time. All workflows are openly documented, and data are published as openly as possible to promote reuse and incentivise broader data release, fostering cross-sector uptake and sustainable practice in museum contexts.

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Institutions

Publication Details

Journal
Digital Scholarship in the Humanities
Published
2025-11-09
DOI
https://doi.org/10.1093/llc/fqaf074
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00

Funders

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article

Enriching exhibition scholarship

Andrew Shapland, Aruna Bhaugeerutty, Kevin Page, Robert Sanderson et al.
Digital Scholarship in the Humanities
Museums and Cultural Heritage
article

Enriching exhibition scholarship

Andrew Shapland, Aruna Bhaugeerutty, Kevin Page, Robert Sanderson, Emmanuelle Delmas-Glass, Kate Davis, James R. Payne, Kayla Shipp, Tyler Bonnet, Clare Llewellyn
article en

Abstract

Abstract Evidence about art works which are shown together and how publics respond remains fragmented across institutions and platforms. Enriching Exhibition Scholarship (EES) combines socially generated texts (newspapers, Twitter, Instagram) with structured museum data using the Linked Art LOUD specifications, and applies text mining, entity reconciliation, and machine learning to automate fine-grained alignment of objects, events, and responses. The Ashmolean Museum held the exhibition Labyrinth, Knossos Myth & Reality, from February to July 2023, we used this opportunity to evaluate the combination of information from catalogue records, and social media. We find that pre-identified “highlights” dominate social mentions; institutional hashtags are widely adopted, while external tags and influential users amplify reach, suggesting opportunities to leverage ambient trends. Semi-automation reduces the labour of gathering exhibition-level evidence while preserving descriptive richness. The resulting interconnected corpus supports provenance research, studies of style transmission, inter-museum network analysis, and longitudinal tracking of exhibition themes by venue and time. All workflows are openly documented, and data are published as openly as possible to promote reuse and incentivise broader data release, fostering cross-sector uptake and sustainable practice in museum contexts.

Digital Scholarship in the Humanities
Yale University (US), University of Oxford (GB), Museum of the History of Science (GB), Oxford Archaeology (GB), Oxford BioMedica (United Kingdom) (GB), University of Edinburgh (GB)
National Endowment for the Humanities, Arts and Humanities Research Council
Openalex Percentile: Top 69%
Museums and Cultural Heritage
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