Exploring sound installation reactivity: Acoustic niches in public space

While the soundscape approach gains increased research attention, it remains underexplored in urban design and sound art.Sound installations in public spaces exist within dynamic acoustic environments, where the interplay between pre-existing sounds and introduced artistic elements influences the auditory experience in complex ways.Yet, there is a lack of tools and methods to evaluate their perceptual impact and inform artistic practice.The present work is part of a research-creation collaboration on Niches Acoustiques, a permanent sound installation designed by sound artist Nadine Schtz for a public square in Paris.The installation explores the acoustic niche hypothesis by adapting its sonic content in reaction to fluctuations in the acoustic environment.We report on a laboratory study focusing on the installation's reactivity, following up an initial study that linked composition strategies to soundscape perception.Specifically, we present the implementation of variations in the installation's responsivenesssuch as amplifying, attenuating, or transforming its content -in reaction to the ambient conditions.These variations serve as a framework for evaluating the impact of reactivity across different listening scenarios.

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Publication Details

Journal
Proceedings of meetings on acoustics
Published
2025-01-01
DOI
https://doi.org/10.1121/2.0002189
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
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article

Exploring sound installation reactivity: Acoustic niches in public space

Valérian Fraisse, Nadine Schütz, Marcelo M. Wanderley, Catherine Guastavino et al.
Proceedings of meetings on acoustics
Music History and Culture
article

Exploring sound installation reactivity: Acoustic niches in public space

Valérian Fraisse, Nadine Schütz, Marcelo M. Wanderley, Catherine Guastavino, Coralie Vincent, Nicolas Misdariis
article en

Abstract

While the soundscape approach gains increased research attention, it remains underexplored in urban design and sound art.Sound installations in public spaces exist within dynamic acoustic environments, where the interplay between pre-existing sounds and introduced artistic elements influences the auditory experience in complex ways.Yet, there is a lack of tools and methods to evaluate their perceptual impact and inform artistic practice.The present work is part of a research-creation collaboration on Niches Acoustiques, a permanent sound installation designed by sound artist Nadine Schtz for a public square in Paris.The installation explores the acoustic niche hypothesis by adapting its sonic content in reaction to fluctuations in the acoustic environment.We report on a laboratory study focusing on the installation's reactivity, following up an initial study that linked composition strategies to soundscape perception.Specifically, we present the implementation of variations in the installation's responsivenesssuch as amplifying, attenuating, or transforming its content -in reaction to the ambient conditions.These variations serve as a framework for evaluating the impact of reactivity across different listening scenarios.

Proceedings of meetings on acousticsVol. 58
Centre National de la Recherche Scientifique (FR), Institut de Recherche et Coordination Acoustique Musique (FR), Centre for Interdisciplinary Research in Music Media and Technology (CA), Sciences et Technologies de la Musique et du Son (FR)
Openalex Percentile: Top 68%
Music History and Culture
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Exploring sound installation reactivity: Acoustic niches in public space — Valérian Fraisse, Nadine Schütz, et al. · Proceedings of meetings on acoustics (2025) | TGRS Research Map | TGRS