Reconstructing Masculine Identity in Feminist Literature: A Critical Analysis of Four African Feminist Texts

Despite literature studies on gender inequality, the issue of masculine identity has been left out and thereby creating a negative stereotype of the male characters. Therefore, this study is a reconstruction of masculine identity in feminist literature. The study focused on four African feminist texts: Margaret A. Ogola’s The River and the Source, Buchi Emecheta’s The Joys of Motherhood, Nuruddin Farah’s From a Crooked Rib, and André Brink’s Imaginings of Sand. The purposive sampling technique was used in selecting the texts. Textual analysis was applied in analysing the core ideas. Theoretical framework included: feminist theory, psychoanalytic feminism, and deconstruction theories. The findings indicate that masculine identity has been influenced by cultural norms. On the other hand, feminist authors have represented male characters based on the presumed expectations of how a man should behave, rather than their self-identity, which they are willing to display as individuals with diverse life experiences. Hence, feminist authors need to reconstruct gender issues in their writings. This will result in the creation of literary works that advocate for gender equality. The study will inform social agents such as governments, educators, parents, and society on the need to promote equitable gender representation in feminist texts.

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Publication Details

Journal
Eastern African Journal of Humanities and Social Sciences
Published
2025-11-06
DOI
https://doi.org/10.58721/eajhss.v4i2.1402
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
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article

Reconstructing Masculine Identity in Feminist Literature: A Critical Analysis of Four African Feminist Texts

Margaret Njoki Mwihia, Peter Muhoro Mwangi, Esther Wanjiku Kiritu
Eastern African Journal of Humanities and Social Sciences
Postcolonial and Cultural Literary Studies
article

Reconstructing Masculine Identity in Feminist Literature: A Critical Analysis of Four African Feminist Texts

Margaret Njoki Mwihia, Peter Muhoro Mwangi, Esther Wanjiku Kiritu
article en

Abstract

Despite literature studies on gender inequality, the issue of masculine identity has been left out and thereby creating a negative stereotype of the male characters. Therefore, this study is a reconstruction of masculine identity in feminist literature. The study focused on four African feminist texts: Margaret A. Ogola’s The River and the Source, Buchi Emecheta’s The Joys of Motherhood, Nuruddin Farah’s From a Crooked Rib, and André Brink’s Imaginings of Sand. The purposive sampling technique was used in selecting the texts. Textual analysis was applied in analysing the core ideas. Theoretical framework included: feminist theory, psychoanalytic feminism, and deconstruction theories. The findings indicate that masculine identity has been influenced by cultural norms. On the other hand, feminist authors have represented male characters based on the presumed expectations of how a man should behave, rather than their self-identity, which they are willing to display as individuals with diverse life experiences. Hence, feminist authors need to reconstruct gender issues in their writings. This will result in the creation of literary works that advocate for gender equality. The study will inform social agents such as governments, educators, parents, and society on the need to promote equitable gender representation in feminist texts.

Eastern African Journal of Humanities and Social SciencesVol. 4(2)
Mount Kenya University (KE)
Openalex Percentile: Top 67%
Postcolonial and Cultural Literary Studies
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Reconstructing Masculine Identity in Feminist Literature: A Critical Analysis of Four African Feminist Texts — Margaret Njoki Mwihia, Peter Muhoro Mwangi, et al. · Eastern African Journal of Humanities and Social Sciences (2025) | TGRS Research Map | TGRS