‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan’s Rustic Idyll in Bohuslaus of Hassenstein’s <i>Ecloga sive Idyllion Budae</i> (1503) <sup>☆</sup>

Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe. This article responds to this framework by shedding light on a more peripheral figure: the Bohemian poet Bohuslaus of Hassenstein. Focusing on his Ecloga sive Idyllion Budae (1503), I follow Hassenstein’s journey from the Hungarian court at Buda to his homeland of Bohemia, where he used the resources of the pastoral tradition, both classical and Italian, to transplant and cultivate the values of Latin humanism. In addition to Virgil, I examine Hassenstein in dialogue with Mantuan, who published a bestselling collection of Latin eclogues, the Adolescentia, in 1498. As a case study in the popular Renaissance genre of the neo‐Latin eclogue, this article shows how the pastoral tradition empowered poets like Hassenstein to transform the cultural peripheries in which they found themselves into new centres.

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Publication Details

Journal
Renaissance Studies
Published
2025-11-05
DOI
https://doi.org/10.1111/rest.70018
Primary Topic
Central European and Russian historical studies
Type
article
Field-Weighted Citation Impact
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article

‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan’s Rustic Idyll in Bohuslaus of Hassenstein’s Ecloga sive Idyllion Budae (1503) ☆

Eva Plesnik
Renaissance Studies
Central European and Russian historical studies
article

‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan’s Rustic Idyll in Bohuslaus of Hassenstein’s Ecloga sive Idyllion Budae (1503) ☆

Eva Plesnik
article en

Abstract

Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe. This article responds to this framework by shedding light on a more peripheral figure: the Bohemian poet Bohuslaus of Hassenstein. Focusing on his Ecloga sive Idyllion Budae (1503), I follow Hassenstein’s journey from the Hungarian court at Buda to his homeland of Bohemia, where he used the resources of the pastoral tradition, both classical and Italian, to transplant and cultivate the values of Latin humanism. In addition to Virgil, I examine Hassenstein in dialogue with Mantuan, who published a bestselling collection of Latin eclogues, the Adolescentia, in 1498. As a case study in the popular Renaissance genre of the neo‐Latin eclogue, this article shows how the pastoral tradition empowered poets like Hassenstein to transform the cultural peripheries in which they found themselves into new centres.

Renaissance Studies
University of Toronto (CA)
Openalex Percentile: Top 63%
Central European and Russian historical studies
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‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan’s Rustic Idyll in Bohuslaus of Hassenstein’s <i>Ecloga sive Idyllion Budae</i> (1503) <sup>☆</sup> — Eva Plesnik · Renaissance Studies (2025) | TGRS Research Map | TGRS