Sacrifice and the Sublime in Kant’s Moral Vision

This article examines how Kant’s conception of sacrifice in Religion within the Boundaries of Mere Reason connects with his account of the sublime in the Critique of Judgment. We argue that the analogy between sacrifice and sublimity illuminates the transformation involved in moral rebirth, whereby the old self is relinquished for the sake of the new. This transformation comprises two interrelated aspects: suppressive sacrifice, which subordinates self-centered inclinations to the moral law, and kenotic sacrifice, in which self-centeredness is relinquished as part of a radical reorientation of one’s disposition. By situating these aspects within Kant’s discussions of grace, the archetype–prototype distinction, and the imagination’s “sacrifice” during experiences of the sublime, we show how sacrifice functions as a symbol both of the moral exemplar (Vorbild) and of the conversion process. The resulting threefold analogy—between the old/new self, Christ’s kenotic self-emptying, and the imagination’s renunciation within the experience of the sublime—reveals how aesthetic experience, especially the sublime, helps exemplify and empower moral transformation in Kant’s thought, supplementing what his ethics alone can explain.

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Publication Details

Journal
Philosophies
Published
2025-11-04
DOI
https://doi.org/10.3390/philosophies10060121
Primary Topic
Philosophical Ethics and Theory
Type
article
Field-Weighted Citation Impact
0.00
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article

Sacrifice and the Sublime in Kant’s Moral Vision

Paolo Diego Bubbio, Meredith Trexler Drees
Philosophies
Philosophical Ethics and Theory
article

Sacrifice and the Sublime in Kant’s Moral Vision

Paolo Diego Bubbio, Meredith Trexler Drees
article en

Abstract

This article examines how Kant’s conception of sacrifice in Religion within the Boundaries of Mere Reason connects with his account of the sublime in the Critique of Judgment. We argue that the analogy between sacrifice and sublimity illuminates the transformation involved in moral rebirth, whereby the old self is relinquished for the sake of the new. This transformation comprises two interrelated aspects: suppressive sacrifice, which subordinates self-centered inclinations to the moral law, and kenotic sacrifice, in which self-centeredness is relinquished as part of a radical reorientation of one’s disposition. By situating these aspects within Kant’s discussions of grace, the archetype–prototype distinction, and the imagination’s “sacrifice” during experiences of the sublime, we show how sacrifice functions as a symbol both of the moral exemplar (Vorbild) and of the conversion process. The resulting threefold analogy—between the old/new self, Christ’s kenotic self-emptying, and the imagination’s renunciation within the experience of the sublime—reveals how aesthetic experience, especially the sublime, helps exemplify and empower moral transformation in Kant’s thought, supplementing what his ethics alone can explain.

PhilosophiesVol. 10(6)
Kansas Wesleyan University (US), University of Turin (IT)
Openalex Percentile: Top 70%
Philosophical Ethics and Theory
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