The Cypher as Pedagogy: Hip-Hop and the Practice of Belonging

In this column, we share how we have come to see the cypher not only as a musical practice but also as a foundational metaphor for teaching. We draw on hip-hop’s global influence and its commitments to authenticity, reciprocity, and community to show how the cypher can serve as a culturally sustaining approach to general music education. For us, the cypher is far more than an improvisatory activity where students’ cultural identities and artistic practices are placed at the center, validated, and sustained. When we invite students into circles of co-creation, we shift the classroom dynamic from learning about hip-hop to living within its practices, opening a space where belonging is built through recognition and affirmation.

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Publication Details

Journal
Journal of General Music Education
Published
2025-11-04
DOI
https://doi.org/10.1177/27527646251390909
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

The Cypher as Pedagogy: Hip-Hop and the Practice of Belonging

Drew X. Coles, Katy Ieong Cheng Ho Weatherly
Journal of General Music Education
Diverse Music Education Insights
article

The Cypher as Pedagogy: Hip-Hop and the Practice of Belonging

Drew X. Coles, Katy Ieong Cheng Ho Weatherly
article en

Abstract

In this column, we share how we have come to see the cypher not only as a musical practice but also as a foundational metaphor for teaching. We draw on hip-hop’s global influence and its commitments to authenticity, reciprocity, and community to show how the cypher can serve as a culturally sustaining approach to general music education. For us, the cypher is far more than an improvisatory activity where students’ cultural identities and artistic practices are placed at the center, validated, and sustained. When we invite students into circles of co-creation, we shift the classroom dynamic from learning about hip-hop to living within its practices, opening a space where belonging is built through recognition and affirmation.

Journal of General Music EducationVol. 39(3)
University of Macau (MO), Bard College (US)
Openalex Percentile: Top 68%
Diverse Music Education Insights
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