(Dis)locating South Asia: Diasporic markets in the global streaming landscape

This paper maps how South Asian media is marketed by streaming aggregators such as Sling TV and ZEE5 Global for diasporic audiences in the United States and Canada. Examining questions of access, availability, and marketing, and analyzing popular press coverage, media industry reports, advertisements, as well as the platforms themselves, we show how South Asian diasporic consumers are envisaged as a target constituency by streaming platforms. In the era of bundled entertainment capsules, such aggregators capitalize on the multiple sub-identities within the umbrella of “South Asian diaspora.” Through this analysis, we also show how “South Asia” is produced as a territorial category and a potential market through the nexus of cultural hegemony and capitalist markets, rather than a taken-for-granted identity of emotional belongingness.

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Publication Details

Journal
Media Culture & Society
Published
2025-11-04
DOI
https://doi.org/10.1177/01634437251387450
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

(Dis)locating South Asia: Diasporic markets in the global streaming landscape

Darshana Sreedhar Mini, Anirban K. Baishya
Media Culture & Society
South Asian Cinema and Culture
article

(Dis)locating South Asia: Diasporic markets in the global streaming landscape

Darshana Sreedhar Mini, Anirban K. Baishya
article en

Abstract

This paper maps how South Asian media is marketed by streaming aggregators such as Sling TV and ZEE5 Global for diasporic audiences in the United States and Canada. Examining questions of access, availability, and marketing, and analyzing popular press coverage, media industry reports, advertisements, as well as the platforms themselves, we show how South Asian diasporic consumers are envisaged as a target constituency by streaming platforms. In the era of bundled entertainment capsules, such aggregators capitalize on the multiple sub-identities within the umbrella of “South Asian diaspora.” Through this analysis, we also show how “South Asia” is produced as a territorial category and a potential market through the nexus of cultural hegemony and capitalist markets, rather than a taken-for-granted identity of emotional belongingness.

Media Culture & SocietyVol. 48(3)
University of Wisconsin–Madison (US)
Openalex Percentile: Top 70%
South Asian Cinema and Culture
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(Dis)locating South Asia: Diasporic markets in the global streaming landscape — Darshana Sreedhar Mini, Anirban K. Baishya · Media Culture & Society (2025) | TGRS Research Map | TGRS