Melomaniacs: How Independent Musicians Influence West Hollywood’s Cosmopolitanism

This article brackets the sociology of music and urban arts by exploring how independent musicians derive creative meaning and connections within the musically diverse place of West Hollywood, CA (WeHo), and describes the existing municipal conditions that enable professional musicians to experience their career trajectories as authentic to their selves. Findings from in-depth interviews and ethnographic observations with 23 local, professional musicians emphasize (i) the artists’ authentic expression through innate musicality and live performances; (ii) feelings of acceptance and validation from connections to culturally hybrid audiences; and (iii) appreciation for the city’s diverse musical stages with storied histories. In further analyses, original insights are generated into how musicians continue influencing WeHo’s cosmopolitanism through their cultural omnivore attitudes and postmaterialist lifestyles. I conclude that the interconnectedness between these independent musicians and the structure of West Hollywood coevolves moral capital, contributing to a more legitimate and musically equitable urban space for artists to be recognized.