National Emotions and Egypt’s Middle Class/Bourgeoisie in Two National Songs Prior to the 2011 Revolution

Drawing upon theoretical conceptualizations of emotions, this article examines two pre-2011 Egyptian national songs through an analytical reading of their lyrics and visual scenes. It aims to focus on how emotions, particularly national love, contribute to constructing a middle-class/bourgeois image of Egypt – an image aligned with the state’s capitalistic, neoliberal approach and vision. Both songs were sung by two female singers who achieved significant fame within the Egyptian music scene and are part of the shababi (youth) music genre: the Egyptian, Shereen Abdel Wahab, and the Lebanese, Nancy Ajram. As this article engages with the intersection between culture, emotions, and national songs before a revolutionary moment – underpinned by a significant affective shift and a contestation of bourgeois values – this contribution seeks to be part of a wide range of scholarship that highlights emotion as a site of the political.

Authors

Institutions

Publication Details

Journal
Arab Studies Quarterly
Published
2025-01-01
DOI
https://doi.org/10.13169/arabstudquar.47.4.0005
Primary Topic
Middle East Politics and Society
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

National Emotions and Egypt’s Middle Class/Bourgeoisie in Two National Songs Prior to the 2011 Revolution

Reem Abdelbarr
Arab Studies Quarterly
Middle East Politics and Society
article

National Emotions and Egypt’s Middle Class/Bourgeoisie in Two National Songs Prior to the 2011 Revolution

Reem Abdelbarr
article en

Abstract

Drawing upon theoretical conceptualizations of emotions, this article examines two pre-2011 Egyptian national songs through an analytical reading of their lyrics and visual scenes. It aims to focus on how emotions, particularly national love, contribute to constructing a middle-class/bourgeois image of Egypt – an image aligned with the state’s capitalistic, neoliberal approach and vision. Both songs were sung by two female singers who achieved significant fame within the Egyptian music scene and are part of the shababi (youth) music genre: the Egyptian, Shereen Abdel Wahab, and the Lebanese, Nancy Ajram. As this article engages with the intersection between culture, emotions, and national songs before a revolutionary moment – underpinned by a significant affective shift and a contestation of bourgeois values – this contribution seeks to be part of a wide range of scholarship that highlights emotion as a site of the political.

Arab Studies QuarterlyVol. 47(4)
Cairo University (EG)
Openalex Percentile: Top 59%
Middle East Politics and Society
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.