Persuasion in Julius Chongo's Poceza M'Madzulo and Fumbi Khoboo

The paper aims at exploring Julius Chongo’s use of pursuation in his written works. By focusing on four stories; two from Poceza M’madzulo which are ‘Fisi Wankhuli’ (The Greedy Hyena) and ‘Mkomwini Woba M’mphika’ (The Son in Law Who Stole from the Cooking Pot) and another two from Fumbi Khoboo! which are ‘Okoma akali Moyo’ (Those who Love when One Is still Alive) and ‘M’busa Oipa’ (The Evil Pastor), this paper uses the concept of rhetoric to examine the stories above and observes that Chongo uses persuasion to keep his audience engaged. He also employs the element of vividness more in stories that were transcribed from performed radio stories than those that were published. It is concluded that Chongo departed from the text to add more persuasive devices while performing the stories on radio.

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Publication Details

Journal
Journal of Law and Social Sciences
Published
2025-10-28
DOI
https://doi.org/10.53974/unza.jlss.6.4.1593
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
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article

Persuasion in Julius Chongo's Poceza M'Madzulo and Fumbi Khoboo

Gankhanani Moffat Moyo
Journal of Law and Social Sciences
Postcolonial and Cultural Literary Studies
article

Persuasion in Julius Chongo's Poceza M'Madzulo and Fumbi Khoboo

Gankhanani Moffat Moyo
article en

Abstract

The paper aims at exploring Julius Chongo’s use of pursuation in his written works. By focusing on four stories; two from Poceza M’madzulo which are ‘Fisi Wankhuli’ (The Greedy Hyena) and ‘Mkomwini Woba M’mphika’ (The Son in Law Who Stole from the Cooking Pot) and another two from Fumbi Khoboo! which are ‘Okoma akali Moyo’ (Those who Love when One Is still Alive) and ‘M’busa Oipa’ (The Evil Pastor), this paper uses the concept of rhetoric to examine the stories above and observes that Chongo uses persuasion to keep his audience engaged. He also employs the element of vividness more in stories that were transcribed from performed radio stories than those that were published. It is concluded that Chongo departed from the text to add more persuasive devices while performing the stories on radio.

Journal of Law and Social SciencesVol. 6(4)
University of Zambia (ZM)
Openalex Percentile: Top 68%
Postcolonial and Cultural Literary Studies
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