Reclaiming Time, Rewriting Space: Diasporic Transnationalism in Nnedi Okorafor’s <i>Binti</i> and Tomi Adeyemi’s <i>Legacy of Orïsha</i> Trilogies

African-inspired young adult (YA) speculative fiction, examined here through Nnedi Okorafor’s Binti and Tomi Adeyemi’s Legacy of Orïsha trilogies, offers rich insights into complex and layered experiences that centre Africanness and agentive teenaged heroines that disrupt popular Western-dominated perceptions of futuristic and/or magical societies. The theoretical framework of Third Space and the methodologies from Womanism, coupled with the premise of the Dark Fantastic, help to unpack the question: How do Nigerian American women authors embed intersectional, transnational identities into their protagonists? And how can these gendered and culturally specific perspectives be used to develop more inclusive theories and methodologies for understanding YA speculative fiction?

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Publication Details

Journal
International Research in Children s Literature
Published
2025-10-01
DOI
https://doi.org/10.3366/ircl.2025.0637
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Reclaiming Time, Rewriting Space: Diasporic Transnationalism in Nnedi Okorafor’s Binti and Tomi Adeyemi’s Legacy of Orïsha Trilogies

Johari Murray
International Research in Children s Literature
Postcolonial and Cultural Literary Studies
article

Reclaiming Time, Rewriting Space: Diasporic Transnationalism in Nnedi Okorafor’s Binti and Tomi Adeyemi’s Legacy of Orïsha Trilogies

Johari Murray
article en

Abstract

African-inspired young adult (YA) speculative fiction, examined here through Nnedi Okorafor’s Binti and Tomi Adeyemi’s Legacy of Orïsha trilogies, offers rich insights into complex and layered experiences that centre Africanness and agentive teenaged heroines that disrupt popular Western-dominated perceptions of futuristic and/or magical societies. The theoretical framework of Third Space and the methodologies from Womanism, coupled with the premise of the Dark Fantastic, help to unpack the question: How do Nigerian American women authors embed intersectional, transnational identities into their protagonists? And how can these gendered and culturally specific perspectives be used to develop more inclusive theories and methodologies for understanding YA speculative fiction?

International Research in Children s LiteratureVol. 18(3)
Universidad Internacional (MX)
Openalex Percentile: Top 68%
Postcolonial and Cultural Literary Studies
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