Figures in Han and Tang Dynasty stone sculptures and the evolution of contemporary portrait sculptures

Abstract The sculptures of the Han and Tang Dynasties established foundational esthetic systems in Chinese art, characterized by symbolic motifs, volumetric realism, and codified material practices. This study aimed to evaluate how contemporary Chinese portraiture inherits and transforms these classical sculptural elements. The data set comprised 146 authenticated images of Han and Tang sculptures, along with data from 18 contemporary sculptors: 12 historically influenced and 6 controls. Data collection involved high‐resolution imagery, elemental and pigment analysis, studio observations, semi‐structured interviews, and digital portfolio submissions. Motif annotation was conducted using vector‐based software. Material characterization used noninvasive methods, including X‐ray fluorescence, hyperspectral imaging, and digital microscopy. Statistical analysis was performed using R, and Tableau. Historical sculptors showed greater motif use (314 vs. 22), recurrence (0.82 vs. 0.05), and diversity (0.87 vs. 0.02). Symbolic objects had a prevalence of 63.2% Tang, with 94.1% mapping completeness. Elemental profiles of historical works showed Ca = 20.1%, Fe = 2.34%, and Pb = 1.12%. Pigment layers averaged 3.8 versus 1.2; cinnabar dominated in historical works (75%), while ochre resin dominated in control works (67%). Carved lines appeared in 66.7% of historical works; 83.3% of control works showed smooth finishes. Portfolio match scores were 0.82 versus 0.05; structural motif overlap was 68.4% versus 4.2%; esthetic symmetry scored 0.77 versus 0.22. The heatmap depth averaged 4.3 layers versus 1.1 layers. Narration durations were 43.1 versus 18.7 min. Empirical results confirm strong material and symbolic continuity, demonstrating how Han and Tang traditions persist in contemporary sculpture. These findings highlight not only esthetic resilience but also the enduring cultural frameworks that guide present‐day artistic practice. The study offers practical implications for heritage‐informed design, art education, and curatorial strategies, underscoring the importance of continuity in shaping contemporary creative expression.

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Publication Details

Journal
Sculpture, monuments and open space.
Published
2025-01-01
DOI
https://doi.org/10.1002/smo3.70000
Primary Topic
Aesthetic Perception and Analysis
Type
article
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article

Figures in Han and Tang Dynasty stone sculptures and the evolution of contemporary portrait sculptures

Yanling Yao
Sculpture, monuments and open space.
Aesthetic Perception and Analysis
article

Figures in Han and Tang Dynasty stone sculptures and the evolution of contemporary portrait sculptures

Yanling Yao
article en

Abstract

Abstract The sculptures of the Han and Tang Dynasties established foundational esthetic systems in Chinese art, characterized by symbolic motifs, volumetric realism, and codified material practices. This study aimed to evaluate how contemporary Chinese portraiture inherits and transforms these classical sculptural elements. The data set comprised 146 authenticated images of Han and Tang sculptures, along with data from 18 contemporary sculptors: 12 historically influenced and 6 controls. Data collection involved high‐resolution imagery, elemental and pigment analysis, studio observations, semi‐structured interviews, and digital portfolio submissions. Motif annotation was conducted using vector‐based software. Material characterization used noninvasive methods, including X‐ray fluorescence, hyperspectral imaging, and digital microscopy. Statistical analysis was performed using R, and Tableau. Historical sculptors showed greater motif use (314 vs. 22), recurrence (0.82 vs. 0.05), and diversity (0.87 vs. 0.02). Symbolic objects had a prevalence of 63.2% Tang, with 94.1% mapping completeness. Elemental profiles of historical works showed Ca = 20.1%, Fe = 2.34%, and Pb = 1.12%. Pigment layers averaged 3.8 versus 1.2; cinnabar dominated in historical works (75%), while ochre resin dominated in control works (67%). Carved lines appeared in 66.7% of historical works; 83.3% of control works showed smooth finishes. Portfolio match scores were 0.82 versus 0.05; structural motif overlap was 68.4% versus 4.2%; esthetic symmetry scored 0.77 versus 0.22. The heatmap depth averaged 4.3 layers versus 1.1 layers. Narration durations were 43.1 versus 18.7 min. Empirical results confirm strong material and symbolic continuity, demonstrating how Han and Tang traditions persist in contemporary sculpture. These findings highlight not only esthetic resilience but also the enduring cultural frameworks that guide present‐day artistic practice. The study offers practical implications for heritage‐informed design, art education, and curatorial strategies, underscoring the importance of continuity in shaping contemporary creative expression.

Sculpture, monuments and open space.Vol. 74(1-4)
Xi'an Academy of Fine Arts (CN)
Openalex Percentile: Top 69%
Aesthetic Perception and Analysis
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