Song translation for informative purposes: Public reception of translating English pop songs into Classical Chinese

Abstract In an increasingly digitalised era, streaming platforms are common channels for people to access pop music around the world. Translating songs into informative texts like subtitles has thus become a significant mode of song translation but remains underexplored in translation studies. This case study examines a heated trend in China of translating English pop songs into Classical Chinese. Often displayed as subtitles on music streaming platforms, these classical-style translations have received mixed reactions from the public. The study aims to deconstruct public reception of the trend at a conceptual level and investigate how public insights can enlighten the criteria of song translation for informative purposes. It draws on the concepts of Cultural Linguistics (Sharifian, 2017) and analyses discourse data from popular WeChat articles about using Classical Chinese in English song translation to identify the conceptual mechanisms that fuel public opinions towards this practice and its products. Furthermore, it decodes translators' cognitive processing by analysing input in the discourse from people knowledgeable about translation and drawing a conceptual mind map with the identified conceptualisations. Based on the findings, the study also discusses proper strategies song translators can negotiate to meet both professional standards and the market's expectations.

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Publication Details

Journal
Across Languages and Cultures
Published
2025-10-29
DOI
https://doi.org/10.1556/084.2025.00948
Primary Topic
Translation Studies and Practices
Type
article
Field-Weighted Citation Impact
0.00
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article

Song translation for informative purposes: Public reception of translating English pop songs into Classical Chinese

Eve Jingwen Chen, Jia Zhang
Across Languages and Cultures
Translation Studies and Practices
article

Song translation for informative purposes: Public reception of translating English pop songs into Classical Chinese

Eve Jingwen Chen, Jia Zhang
article en

Abstract

Abstract In an increasingly digitalised era, streaming platforms are common channels for people to access pop music around the world. Translating songs into informative texts like subtitles has thus become a significant mode of song translation but remains underexplored in translation studies. This case study examines a heated trend in China of translating English pop songs into Classical Chinese. Often displayed as subtitles on music streaming platforms, these classical-style translations have received mixed reactions from the public. The study aims to deconstruct public reception of the trend at a conceptual level and investigate how public insights can enlighten the criteria of song translation for informative purposes. It draws on the concepts of Cultural Linguistics (Sharifian, 2017) and analyses discourse data from popular WeChat articles about using Classical Chinese in English song translation to identify the conceptual mechanisms that fuel public opinions towards this practice and its products. Furthermore, it decodes translators' cognitive processing by analysing input in the discourse from people knowledgeable about translation and drawing a conceptual mind map with the identified conceptualisations. Based on the findings, the study also discusses proper strategies song translators can negotiate to meet both professional standards and the market's expectations.

Across Languages and CulturesVol. 26(2)
Australian National University (AU), UNSW Sydney (AU)
Openalex Percentile: Top 61%
Translation Studies and Practices
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Song translation for informative purposes: Public reception of translating English pop songs into Classical Chinese — Eve Jingwen Chen, Jia Zhang · Across Languages and Cultures (2025) | TGRS Research Map | TGRS