‘In America, you are black, baby’: race, transnationality and identity (re)formation in Chimamanda Ngozi Adichie’s <i>Americanah</i>

Global contemporary trends of transnational migration have shifted in recent years in light of the economic and political developments. Studies have shown that in the context of these transnational migrations, identities are continuously (re)formulated and (re)negotiated across different social worlds. Drawing from Fanon’s theorization on the fact of blackness, this article discusses representations of the experience of black African transnationals as represented in Chimamanda Ngozi Adichie’s third novel Americanah. The text exposes how thematic aspects transnational mobilities and of its aesthetic nature and style create a discourse on transnationalism, which can help us understand better the transnational lives and experiences of Africans abroad in recent times. The novel tells the story of two young Nigerians, Obinze and Ifemelu who, in the context of limited opportunities in Nigeria, decide to migrate to the West. In this context of migration, it is important to explore the influences of black identity making such as culture, race, gender, hair and language and how these shifts transform in transnational spaces.

Authors

Institutions

Publication Details

Journal
Cogent Arts and Humanities
Published
2025-10-29
DOI
https://doi.org/10.1080/23311983.2025.2577867
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

‘In America, you are black, baby’: race, transnationality and identity (re)formation in Chimamanda Ngozi Adichie’s Americanah

Nonki Motahane
Cogent Arts and Humanities
Postcolonial and Cultural Literary Studies
article

‘In America, you are black, baby’: race, transnationality and identity (re)formation in Chimamanda Ngozi Adichie’s Americanah

Nonki Motahane
article en

Abstract

Global contemporary trends of transnational migration have shifted in recent years in light of the economic and political developments. Studies have shown that in the context of these transnational migrations, identities are continuously (re)formulated and (re)negotiated across different social worlds. Drawing from Fanon’s theorization on the fact of blackness, this article discusses representations of the experience of black African transnationals as represented in Chimamanda Ngozi Adichie’s third novel Americanah. The text exposes how thematic aspects transnational mobilities and of its aesthetic nature and style create a discourse on transnationalism, which can help us understand better the transnational lives and experiences of Africans abroad in recent times. The novel tells the story of two young Nigerians, Obinze and Ifemelu who, in the context of limited opportunities in Nigeria, decide to migrate to the West. In this context of migration, it is important to explore the influences of black identity making such as culture, race, gender, hair and language and how these shifts transform in transnational spaces.

Cogent Arts and HumanitiesVol. 12(1)
University of the Free State (ZA)
Openalex Percentile: Top 69%
Postcolonial and Cultural Literary Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.