Normal patriarchs: Masculine performance and fragility in Sally Rooney’s Normal People

This article analyses the concepts of patriarchy and fragility as presented in Sally Rooney’s Normal People . Drawing from bell hooks’s theories on masculinity in The Will to Change , fragility is understood as a fundamental underside to the performance of domination in patriarchal identity. After analysing the aggressive yet insecure behaviours of the novel’s secondary male characters, I focus on Connell, whose sensitivity has been embraced in popular culture as contributing to new forms of masculinity. I argue it is through him that Rooney most thoroughly explores the damaging persistence of patriarchal ideology in post-Celtic Tiger Ireland. Literary form, particularly free indirect style, is seen to capture the fragility of his subjectivity in relation to the hegemonic order of patriarchy. I examine his (limited) passage from compartmentalization, which results in toxic secrecy with Marianne, towards integrity, a state which is inverse to, yet partially manifests out of, fragility.

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Publication Details

Journal
JAWS Journal of Arts Writing by Students
Published
2024-12-01
DOI
https://doi.org/10.1386/jaws_00072_1
Primary Topic
Irish and British Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Normal patriarchs: Masculine performance and fragility in Sally Rooney’s Normal People

Joseph Rodgers
JAWS Journal of Arts Writing by Students
Irish and British Studies
article

Normal patriarchs: Masculine performance and fragility in Sally Rooney’s Normal People

Joseph Rodgers
article en

Abstract

This article analyses the concepts of patriarchy and fragility as presented in Sally Rooney’s Normal People . Drawing from bell hooks’s theories on masculinity in The Will to Change , fragility is understood as a fundamental underside to the performance of domination in patriarchal identity. After analysing the aggressive yet insecure behaviours of the novel’s secondary male characters, I focus on Connell, whose sensitivity has been embraced in popular culture as contributing to new forms of masculinity. I argue it is through him that Rooney most thoroughly explores the damaging persistence of patriarchal ideology in post-Celtic Tiger Ireland. Literary form, particularly free indirect style, is seen to capture the fragility of his subjectivity in relation to the hegemonic order of patriarchy. I examine his (limited) passage from compartmentalization, which results in toxic secrecy with Marianne, towards integrity, a state which is inverse to, yet partially manifests out of, fragility.

JAWS Journal of Arts Writing by StudentsVol. 10(1)
University of Nottingham (GB)
Openalex Percentile: Top 49%
Irish and British Studies
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