Creative pedagogic methods for self-guided embodied thinking and learning about animal research

<ns3:p>A prevailing view suggests that with greater knowledge, the public might respond differently to opinion surveys. This paper examines animal research – a domain marked by ethical complexity - to explore how curiosity and creativity can be harnessed to engage people with conflicting values and emotions. Rather than focusing solely on knowledge acquisition, the paper conceptualizes and illustrates how embodied creative methods can enable the public and industry professionals to make, to co-create their own knowledges about animal research. Three critical observations of contemporary engagement efforts are offered. Firstly, while existing approaches have made notable strides in informing and educating the public, they rely on the active participation of self-selecting learners. Secondly, engagement efforts tend to emphasise defending the principles of animal research, often overlooking the diverse everyday practices that constitutes the industry. Thirdly, a didactic, mentalist communication style prevails, reinforcing a hierarchical dynamic between expert and non-expert participants. Embodied creative methods are proposed not as tools for data collection, but as means to explore experiences and knowledge-making practices in novel ways. The paper presents three examples of such engagements authored by an artist, a pharmacologist and a veterinarian including making artwork, and two workshop activities - The Mouse Exchange and Care-full stories. These initiatives sensitively surface the complexities of the human-animal relationship at the heart of animal research. The examples show how engagements centered on creative embodied methods foster curiosity and help overcome anxieties that inhibit engagement. Reflecting on these contributions prompts a consideration about whether such activities are adequately recognised within the current Concordat on Openness in Animal Research. The paper concludes by proposing a rewording to reflect a more evolved vision of openness in animal research for the decades ahead.</ns3:p>

Authors

Publication Details

Journal
Wellcome Open Research
Published
2025-10-24
DOI
https://doi.org/10.12688/wellcomeopenres.24930.1
Primary Topic
Animal and Plant Science Education
Type
article
Field-Weighted Citation Impact
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article

Creative pedagogic methods for self-guided embodied thinking and learning about animal research

Emma Roe, Sarah Bailey, Jordi L. Tremoleda, Louise Mackenzie
Wellcome Open Research
Animal and Plant Science Education
article

Creative pedagogic methods for self-guided embodied thinking and learning about animal research

Emma Roe, Sarah Bailey, Jordi L. Tremoleda, Louise Mackenzie
article en

Abstract

<ns3:p>A prevailing view suggests that with greater knowledge, the public might respond differently to opinion surveys. This paper examines animal research – a domain marked by ethical complexity - to explore how curiosity and creativity can be harnessed to engage people with conflicting values and emotions. Rather than focusing solely on knowledge acquisition, the paper conceptualizes and illustrates how embodied creative methods can enable the public and industry professionals to make, to co-create their own knowledges about animal research. Three critical observations of contemporary engagement efforts are offered. Firstly, while existing approaches have made notable strides in informing and educating the public, they rely on the active participation of self-selecting learners. Secondly, engagement efforts tend to emphasise defending the principles of animal research, often overlooking the diverse everyday practices that constitutes the industry. Thirdly, a didactic, mentalist communication style prevails, reinforcing a hierarchical dynamic between expert and non-expert participants. Embodied creative methods are proposed not as tools for data collection, but as means to explore experiences and knowledge-making practices in novel ways. The paper presents three examples of such engagements authored by an artist, a pharmacologist and a veterinarian including making artwork, and two workshop activities - The Mouse Exchange and Care-full stories. These initiatives sensitively surface the complexities of the human-animal relationship at the heart of animal research. The examples show how engagements centered on creative embodied methods foster curiosity and help overcome anxieties that inhibit engagement. Reflecting on these contributions prompts a consideration about whether such activities are adequately recognised within the current Concordat on Openness in Animal Research. The paper concludes by proposing a rewording to reflect a more evolved vision of openness in animal research for the decades ahead.</ns3:p>

Wellcome Open ResearchVol. 10
Openalex Percentile: Top 65%
Animal and Plant Science Education
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