BARON DE BAZANCOURT: LITERATOR, HISTORIAN, MILITARY CORRESPONDENT. PART VIII. “LE MONTAGNARD…” VS “ANGE PITOU”

Baron de Bazancourt’s novel “Montagnard, or The Two Republics: 1793–1848 (1850–1851)” was one of the first large-scale artistic treatments of the events of the French Revolution. The text was created amidst political struggle and pursued ideological goals. Meanwhile, the author was forced to draw material from the works of historians whose conclusions contradicted Bazancourt’s own ideological principles. This article analyzes Bazancourt’s methods of interpreting historical facts in accordance with the ideological vector set forth in the novel. The creative solutions in Bazancourt’s novel are examined in comparison with the updated artistic tactics of A. Dumas, embodied in the novel “Ange Pitou”, which also tells the story of the French Revolution and was written simultaneously with Bazancourt’s “Montagnard”.

Authors

Publication Details

Journal
Scientific Notes of V I Vernadsky Crimean Federal University Philological sciences
Published
2025-10-23
DOI
https://doi.org/10.29039/2413-1679-2025-11-3-109-128
Primary Topic
Historical Studies and Socio-cultural Analysis
Type
article
Field-Weighted Citation Impact
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article

BARON DE BAZANCOURT: LITERATOR, HISTORIAN, MILITARY CORRESPONDENT. PART VIII. “LE MONTAGNARD…” VS “ANGE PITOU”

V. Orehov
Scientific Notes of V I Vernadsky Crimean Federal University Philological sciences
Historical Studies and Socio-cultural Analysis
article

BARON DE BAZANCOURT: LITERATOR, HISTORIAN, MILITARY CORRESPONDENT. PART VIII. “LE MONTAGNARD…” VS “ANGE PITOU”

V. Orehov
article en

Abstract

Baron de Bazancourt’s novel “Montagnard, or The Two Republics: 1793–1848 (1850–1851)” was one of the first large-scale artistic treatments of the events of the French Revolution. The text was created amidst political struggle and pursued ideological goals. Meanwhile, the author was forced to draw material from the works of historians whose conclusions contradicted Bazancourt’s own ideological principles. This article analyzes Bazancourt’s methods of interpreting historical facts in accordance with the ideological vector set forth in the novel. The creative solutions in Bazancourt’s novel are examined in comparison with the updated artistic tactics of A. Dumas, embodied in the novel “Ange Pitou”, which also tells the story of the French Revolution and was written simultaneously with Bazancourt’s “Montagnard”.

Scientific Notes of V I Vernadsky Crimean Federal University Philological sciencesVol. 11(3)
Openalex Percentile: Top 62%
Historical Studies and Socio-cultural Analysis
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