«Children, this is what a Squirrel Looks Like» —a Journey Through Polish Post-war Architecture in Caricature

This article explores the state of Polish architecture as portrayed by Polish caricaturists, with a particular focus on the 1960s, a period that marked the conclusion of post-war reconstruction and the emergence of new spatial planning strategies —back to Modernism. These architectural developments are examined both through textual analysis and satirical illustrations from the era. Humor and satire have long played a significant role in Polish society, serving as vital components of public discourse. Satirical drawings, in particular, were once a prominent feature of newspapers and magazines, offering a distorted yet perceptive reflection of Polish reality in PRL (Polish People’s Republic). The illustrations presented in this study are sourced from the collection of the Eryk Lipiński Museum of Caricature in Warsaw.

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Publication Details

Journal
Ra Revista de Arquitectura
Published
2025-10-24
DOI
https://doi.org/10.15581/014.27.124-143
Primary Topic
Urban Development and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

«Children, this is what a Squirrel Looks Like» —a Journey Through Polish Post-war Architecture in Caricature

Adam Nadolny
Ra Revista de Arquitectura
Urban Development and Cultural Heritage
article

«Children, this is what a Squirrel Looks Like» —a Journey Through Polish Post-war Architecture in Caricature

Adam Nadolny
article en

Abstract

This article explores the state of Polish architecture as portrayed by Polish caricaturists, with a particular focus on the 1960s, a period that marked the conclusion of post-war reconstruction and the emergence of new spatial planning strategies —back to Modernism. These architectural developments are examined both through textual analysis and satirical illustrations from the era. Humor and satire have long played a significant role in Polish society, serving as vital components of public discourse. Satirical drawings, in particular, were once a prominent feature of newspapers and magazines, offering a distorted yet perceptive reflection of Polish reality in PRL (Polish People’s Republic). The illustrations presented in this study are sourced from the collection of the Eryk Lipiński Museum of Caricature in Warsaw.

Ra Revista de Arquitectura
Poznań University of Technology (PL)
Openalex Percentile: Top 61%
Urban Development and Cultural Heritage
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