Wearing the past, dressing the future: Rethinking fashion through cultural continuity

In an age of fast fashion, cultural homogeneity and environmental urgency, clothing maintains its position as a symbol of resistance, bearer of identity and holder of memories. This issue of Clothing Cultures highlights global dress practices connecting heritage, sustainability and self-expression across contexts from Ghana to Indonesia, North America to Scandinavia. The articles examine the pre-industrial dress practices of the makers and wearers of Nordic clothing, the continuing relevance of Ghana’s slit and kaba, the cultural resistance of the kebaya, and the journey and significance of Irish lace in early twentieth-century America. A study of Indonesian millennial menswear explores fashion’s mediation of national pride and personal identity. An updated edition of Queer Style revisits the evolving conversations around queerness and dress. These contributions challenge dominant fashion narratives and call for an increasingly thoughtful and culturally grounded vision on clothing promoting an approach that values integrity, adaptability and continuity over excess. The articles remind us that clothing can be a lived, shared and sustained experience, linking across time, the personal to the historical.

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Publication Details

Journal
Clothing Cultures
Published
2024-09-01
DOI
https://doi.org/10.1386/cc_00094_2
Primary Topic
Fashion and Cultural Textiles
Type
article
Field-Weighted Citation Impact
0.00
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article

Wearing the past, dressing the future: Rethinking fashion through cultural continuity

Matilda Aspinall
Clothing Cultures
Fashion and Cultural Textiles
article

Wearing the past, dressing the future: Rethinking fashion through cultural continuity

Matilda Aspinall
article en

Abstract

In an age of fast fashion, cultural homogeneity and environmental urgency, clothing maintains its position as a symbol of resistance, bearer of identity and holder of memories. This issue of Clothing Cultures highlights global dress practices connecting heritage, sustainability and self-expression across contexts from Ghana to Indonesia, North America to Scandinavia. The articles examine the pre-industrial dress practices of the makers and wearers of Nordic clothing, the continuing relevance of Ghana’s slit and kaba, the cultural resistance of the kebaya, and the journey and significance of Irish lace in early twentieth-century America. A study of Indonesian millennial menswear explores fashion’s mediation of national pride and personal identity. An updated edition of Queer Style revisits the evolving conversations around queerness and dress. These contributions challenge dominant fashion narratives and call for an increasingly thoughtful and culturally grounded vision on clothing promoting an approach that values integrity, adaptability and continuity over excess. The articles remind us that clothing can be a lived, shared and sustained experience, linking across time, the personal to the historical.

Clothing CulturesVol. 11(2)
University of the Arts London (GB)
Openalex Percentile: Top 62%
Fashion and Cultural Textiles
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Wearing the past, dressing the future: Rethinking fashion through cultural continuity — Matilda Aspinall · Clothing Cultures (2024) | TGRS Research Map | TGRS