Ghislaine Wood on the <i>Art Deco 1910–1939</i> Exhibition, 2003

Abstract The exhibition Art Deco 1910–1939 was first presented at the Victoria and Albert Museum in 2003. Ghislaine Wood was the chief curator, and Tim and Charlotte Benton were guest curators. This has been the most successful exhibition put on by the V&amp;A to date. In a period that has seen the decline of the ‘blockbuster’ period-style exhibitions, it seemed interesting to ask the principal curator how the show was staged and what values and issues were involved. Ghislaine Wood tells of her introduction to the world of exhibitions and the importance of the Research Department at the V&amp;A. She reflects on the importance of giving a sense of authenticity to displays and the way that exhibition design can transform displays, and finally she gives some telling examples of difficulties overcome by the curatorial team in obtaining and installing objects. She reflects on the causes of the exhibition’s success.

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Publication Details

Journal
Journal of Design History
Published
2025-08-27
DOI
https://doi.org/10.1093/jdh/epaf028
Primary Topic
Art, Politics, and Modernism
Type
article
Field-Weighted Citation Impact
0.00
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article

Ghislaine Wood on the Art Deco 1910–1939 Exhibition, 2003

Ghislaine Wood, Tim Benton
Journal of Design History
Art, Politics, and Modernism
article

Ghislaine Wood on the Art Deco 1910–1939 Exhibition, 2003

Ghislaine Wood, Tim Benton
article en

Abstract

Abstract The exhibition Art Deco 1910–1939 was first presented at the Victoria and Albert Museum in 2003. Ghislaine Wood was the chief curator, and Tim and Charlotte Benton were guest curators. This has been the most successful exhibition put on by the V&amp;A to date. In a period that has seen the decline of the ‘blockbuster’ period-style exhibitions, it seemed interesting to ask the principal curator how the show was staged and what values and issues were involved. Ghislaine Wood tells of her introduction to the world of exhibitions and the importance of the Research Department at the V&amp;A. She reflects on the importance of giving a sense of authenticity to displays and the way that exhibition design can transform displays, and finally she gives some telling examples of difficulties overcome by the curatorial team in obtaining and installing objects. She reflects on the causes of the exhibition’s success.

Journal of Design History
University of East Anglia (GB), Victoria and Albert Museum (GB), Sainsbury Laboratory (GB), Ho Chi Minh City Open University (VN)
Openalex Percentile: Top 72%
Art, Politics, and Modernism
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