Exploring Film as Popular Art Promoting Scarred Villain Trope
Cinema is a powerful art form that shapes social norms. One enduring trope is the “scarred villain,” where facial differences signify moral corruption. Recent advocacy has challenged this stereotype, suggesting a shift in how anomalies are portrayed. To assess trends, we analyzed top-grossing films over four decades in the U.S. and two in India. While the number of villains with facial differences remained stable, heroes with such features increased. Country of origin did not predict the presence of facial anomalies in either heroes or villains. These features were most common in action and fantasy genres. Villains’ facial differences tended to be larger and more visually prominent than those of heroes. Men were more often depicted with facial anomalies than women. We also explored whether mature-rated films were more likely to include such portrayals but found no evidence. Our findings emphasize cinema's role in reinforcing stereotypes and call for critical reflection.
Authors
- Anjan Chatterjee (ORCID: https://orcid.org/0000-0002-9092-8560)
- Connor S. Wagner
- Carlos E. Barrero (ORCID: https://orcid.org/0000-0003-4408-2071)
- Matthew E. Pontell (ORCID: https://orcid.org/0000-0002-2329-9899)
- Clifford I. Workman (ORCID: https://orcid.org/0000-0002-2206-0325)
- Jesse A. Taylor (ORCID: https://orcid.org/0000-0003-2827-5471)
- Mariola Paruzel‐Czachura (ORCID: https://orcid.org/0000-0002-8716-9778)
- Lauren K. Salinero
- Satvika L. Kumar
Institutions
- Children's Hospital of Philadelphia (US)
- Penn Center for AIDS Research (US)
- University of Pennsylvania (US)
- University of Silesia in Katowice (PL)
- University of Delaware (US)
Publication Details
- Journal
- Empirical Studies of the Arts
- Published
- 2025-10-22
- DOI
- https://doi.org/10.1177/02762374251386302
- Primary Topic
- Psychology of Moral and Emotional Judgment
- Type
- article
- Field-Weighted Citation Impact
- 0.00