A Fictionalized Firsthand Account of Victorian Naval Ritual: Arthur Robert Francis Bailey’s “Neptune’s Visit to H. M. Ship Rocket on Crossing the Line” (1874)

Abstract Recently rediscovered and previously unpublished, “Neptune’s Visit to H. M. Ship Rocket on Crossing the Line,” by then-Sub-Lieutenant Arthur Robert Francis Bailey, offers twenty-first-century readers an especially engaging introduction to a naval ritual with roots in the sixteenth century. Although crossing the line narratives were quite familiar to sailors and lay readers alike by the 1870s, this manuscript is unusual in that it attempts to normalize otherwise theatrical elements, such as the appearance of the Roman god Neptune and his retinue aboard the ship, and to maintain the realism of this highly performative collective action. An engaging firsthand account in its own right, this manuscript moves beyond the familiar—and dismissed—contemporary conceptions of the ritual and effectively speaks to the period’s revival of folk and fairy tales.

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Publication Details

Journal
Victorians Institute Journal
Published
2025-10-01
DOI
https://doi.org/10.5325/victinstj.52.2025.0208
Primary Topic
Travel Writing and Literature
Type
article
Field-Weighted Citation Impact
0.00
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article

A Fictionalized Firsthand Account of Victorian Naval Ritual: Arthur Robert Francis Bailey’s “Neptune’s Visit to H. M. Ship Rocket on Crossing the Line” (1874)

Albert D. Pionke, R. HINES
Victorians Institute Journal
Travel Writing and Literature
article

A Fictionalized Firsthand Account of Victorian Naval Ritual: Arthur Robert Francis Bailey’s “Neptune’s Visit to H. M. Ship Rocket on Crossing the Line” (1874)

Albert D. Pionke, R. HINES
article en

Abstract

Abstract Recently rediscovered and previously unpublished, “Neptune’s Visit to H. M. Ship Rocket on Crossing the Line,” by then-Sub-Lieutenant Arthur Robert Francis Bailey, offers twenty-first-century readers an especially engaging introduction to a naval ritual with roots in the sixteenth century. Although crossing the line narratives were quite familiar to sailors and lay readers alike by the 1870s, this manuscript is unusual in that it attempts to normalize otherwise theatrical elements, such as the appearance of the Roman god Neptune and his retinue aboard the ship, and to maintain the realism of this highly performative collective action. An engaging firsthand account in its own right, this manuscript moves beyond the familiar—and dismissed—contemporary conceptions of the ritual and effectively speaks to the period’s revival of folk and fairy tales.

Victorians Institute JournalVol. 52
University of Alabama (US), University of Oklahoma (US)
Openalex Percentile: Top 75%
Travel Writing and Literature
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