“The Roads Is Good Now”: Rural Infrastructure in William Faulkner’s As I Lay Dying

abstract: This essay examines the depiction of rural infrastructure and its socioeconomic ramifications in William Faulkner’s As I Lay Dying . Focusing on the novel’s portrayal of roads, the essay explores how infrastructural development becomes emblematic of modernization’s uneven impact on rural Southern communities. Reading the novel’s road imagery “infrastructurally” illuminates Faulkner’s critique of the Good Roads Movement and explores the broader implications this has on interpretations of space, mobility, and modernity in the US South. The novel formalizes the infrastructural “gaps” created by the development of roads through its experimental aesthetic economy, demonstrating how Faulkner’s modernism is inextricably entangled in the cultural, material, and technological conditions of Southern modernity from which it emerges.

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Publication Details

Journal
Modernism/modernity
Published
2025-04-01
DOI
https://doi.org/10.1353/mod.2025.a972593
Primary Topic
Utopian, Dystopian, and Speculative Fiction
Type
article
Field-Weighted Citation Impact
0.00
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article

“The Roads Is Good Now”: Rural Infrastructure in William Faulkner’s As I Lay Dying

E. J. King
Modernism/modernity
Utopian, Dystopian, and Speculative Fiction
article

“The Roads Is Good Now”: Rural Infrastructure in William Faulkner’s As I Lay Dying

E. J. King
article en

Abstract

abstract: This essay examines the depiction of rural infrastructure and its socioeconomic ramifications in William Faulkner’s As I Lay Dying . Focusing on the novel’s portrayal of roads, the essay explores how infrastructural development becomes emblematic of modernization’s uneven impact on rural Southern communities. Reading the novel’s road imagery “infrastructurally” illuminates Faulkner’s critique of the Good Roads Movement and explores the broader implications this has on interpretations of space, mobility, and modernity in the US South. The novel formalizes the infrastructural “gaps” created by the development of roads through its experimental aesthetic economy, demonstrating how Faulkner’s modernism is inextricably entangled in the cultural, material, and technological conditions of Southern modernity from which it emerges.

Modernism/modernityVol. 32(2)
Openalex Percentile: Top 72%
Utopian, Dystopian, and Speculative Fiction
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