“Songs and Laughter Were Heard”: Frontline Songs and Poems in the Folklore of The Great Patriotic War

During the Great Patriotic War, performances of music and songs were an important part of soldiers’ lives in the Red Army. This study examines how these songs functioned in unofficial aspects of the lives of frontline soldiers. There was a “cult of folklore” in the Soviet Union in the 1930s and 1940s, which meant that the depiction of folklore in film and literature was an official policy. However, the fact that such performances featured in officially sanctioned artistic works raises the question of how much was propaganda and how much reflected actual practices. To answer this question, I looked at all the references to the performances of songs in over seventy Russian-language diaries and volumes of letters written by members of the Soviet military. I did not use journalism to avoid propaganda, nor memoirs to avoid the problem of the transformation of memories over the years; instead, I used sources written during the war itself that reflected the everyday lives of soldiers.

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Publication Details

Journal
FOLKLORICA - Journal of the Slavic East European and Eurasian Folklore Association
Published
2025-10-22
DOI
https://doi.org/10.17161/folklorica.v29i.24683
Primary Topic
Folklore, Mythology, and Literature Studies
Type
article
Field-Weighted Citation Impact
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article

“Songs and Laughter Were Heard”: Frontline Songs and Poems in the Folklore of The Great Patriotic War

Enes Tastan
FOLKLORICA - Journal of the Slavic East European and Eurasian Folklore Association
Folklore, Mythology, and Literature Studies
article

“Songs and Laughter Were Heard”: Frontline Songs and Poems in the Folklore of The Great Patriotic War

Enes Tastan
article en

Abstract

During the Great Patriotic War, performances of music and songs were an important part of soldiers’ lives in the Red Army. This study examines how these songs functioned in unofficial aspects of the lives of frontline soldiers. There was a “cult of folklore” in the Soviet Union in the 1930s and 1940s, which meant that the depiction of folklore in film and literature was an official policy. However, the fact that such performances featured in officially sanctioned artistic works raises the question of how much was propaganda and how much reflected actual practices. To answer this question, I looked at all the references to the performances of songs in over seventy Russian-language diaries and volumes of letters written by members of the Soviet military. I did not use journalism to avoid propaganda, nor memoirs to avoid the problem of the transformation of memories over the years; instead, I used sources written during the war itself that reflected the everyday lives of soldiers.

FOLKLORICA - Journal of the Slavic East European and Eurasian Folklore AssociationVol. 29
The Ohio State University (US)
Openalex Percentile: Top 70%
Folklore, Mythology, and Literature Studies
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