The "(C)hueca" Writing of Claudia Rodríguez as Travesti Revenge

Claudia Rodríguez (Chile, 1968), writer, performer, and activist, is a key figure in the Latin American travesti movement. This paper examines her literary production, which emerged in the second decade of the 21st century through the self-publishing of her works in fanzine format: "Dramas pobres. Poesía travesti" [Poor Dramas. Transvestite Poetry] (2013); "Cuerpos para odiar. Poesía travesti" [Bodies to Hate. Transvestite Poetry] (2014a); "Manifiesto horrorista" [Horrorist Manifesto] (2014b); "Enferma del alma" [Sick at Heart] (2015); and "Para no morir tan sola. Escritura en pandemia" [So as not to Die so Alone. Writing in a Pandemic ] (2022). Our focus will be on the hybrid and mestizo nature of her texts – not linear but fragmentary – and her incorporation of orality.

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Publication Details

Journal
Lublin Studies in Modern Languages and Literature
Published
2025-10-16
DOI
https://doi.org/10.17951/lsmll.2025.49.3.69-79
Primary Topic
Latin American and Latino Studies
Type
article
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article

The "(C)hueca" Writing of Claudia Rodríguez as Travesti Revenge

Ángeles Mateo del Pino
Lublin Studies in Modern Languages and Literature
Latin American and Latino Studies
article

The "(C)hueca" Writing of Claudia Rodríguez as Travesti Revenge

Ángeles Mateo del Pino
article en

Abstract

Claudia Rodríguez (Chile, 1968), writer, performer, and activist, is a key figure in the Latin American travesti movement. This paper examines her literary production, which emerged in the second decade of the 21st century through the self-publishing of her works in fanzine format: "Dramas pobres. Poesía travesti" [Poor Dramas. Transvestite Poetry] (2013); "Cuerpos para odiar. Poesía travesti" [Bodies to Hate. Transvestite Poetry] (2014a); "Manifiesto horrorista" [Horrorist Manifesto] (2014b); "Enferma del alma" [Sick at Heart] (2015); and "Para no morir tan sola. Escritura en pandemia" [So as not to Die so Alone. Writing in a Pandemic ] (2022). Our focus will be on the hybrid and mestizo nature of her texts – not linear but fragmentary – and her incorporation of orality.

Lublin Studies in Modern Languages and LiteratureVol. 49(3)
Universidad de Las Palmas de Gran Canaria (ES)
Openalex Percentile: Top 65%
Latin American and Latino Studies
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