Sett fra et sted, utviklet fra et punkt

A dice roll is the very image of randomness. Every day since September 1, 1994, I have rolled a set of six dice, written down the number combinations and collected the numerical material in an ever-growing physical archive. The project is entitled "one and one hundred dice rolls a day". I use this numerical material as a starting point for transformations by translating each number, 1 to 6, into one sign, shape, sound or word, and by creating rules for how these translations will be used further. This method shapes the concrete outcomes and results in series or other forms of progressions and connections. What unites the different sub-projects that stem from the dice roll project is an exploration of the inherent nature of this special material and its potential for form, expression, and visibility, as well as a fascination with the diversity and variations generated, and with results I cannot fully predict. In this exposition, I will describe, make visible, and reflect on the working method, process, and the development of the formal language and expressions that have emerged from this ongoing, and in many ways interconnected, artistic project. The project is seen from a place (that of me, the artist's perspective) and is developed from a point (the dice rolls with dots representing numbers). keywords: visuell kunst, konseptkunst, seriell kunst, lydkunst, tid, terninger, tall, tilfeldigheter, transformasjoner, tegn, regler, systemer, kontinuitet, forløp, endring, utvikling, variasjon

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Publication Details

Published
2025-10-20
DOI
https://doi.org/10.22501/vis.3227708
Primary Topic
Research in Social Sciences
Type
article
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article

Sett fra et sted, utviklet fra et punkt

Annika Borg
Research in Social Sciences
article

Sett fra et sted, utviklet fra et punkt

Annika Borg
article en

Abstract

A dice roll is the very image of randomness. Every day since September 1, 1994, I have rolled a set of six dice, written down the number combinations and collected the numerical material in an ever-growing physical archive. The project is entitled "one and one hundred dice rolls a day". I use this numerical material as a starting point for transformations by translating each number, 1 to 6, into one sign, shape, sound or word, and by creating rules for how these translations will be used further. This method shapes the concrete outcomes and results in series or other forms of progressions and connections. What unites the different sub-projects that stem from the dice roll project is an exploration of the inherent nature of this special material and its potential for form, expression, and visibility, as well as a fascination with the diversity and variations generated, and with results I cannot fully predict. In this exposition, I will describe, make visible, and reflect on the working method, process, and the development of the formal language and expressions that have emerged from this ongoing, and in many ways interconnected, artistic project. The project is seen from a place (that of me, the artist's perspective) and is developed from a point (the dice rolls with dots representing numbers). keywords: visuell kunst, konseptkunst, seriell kunst, lydkunst, tid, terninger, tall, tilfeldigheter, transformasjoner, tegn, regler, systemer, kontinuitet, forløp, endring, utvikling, variasjon

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Openalex Percentile: Top 68%
Research in Social Sciences
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