The scene of the crime: Models, identities and roles of the territory in Italian giallo and television crime drama series

During the last two decades, Italian crime TV series have increased considerably, becoming one of the main scripted television genres offered on national channels, both on free-to-air and pay-TV and streaming platforms, while additionally developing an ever-closer synergy with local territories and their representation. Focusing on the 2020–21 television season, this article provides some maps in order to highlight roles and identities of national places and territories in defining different types and gradations of Italian crime drama TV series. More specifically, it underlines the variety of functions that territories played through the plot and the way they could be represented alternatively as background or foreground, as well as realistic or imaginary, taking into account different models of representation of a multifaceted genre and its connections with geographical locations, which could explain the prominence of giallo in national popular culture.

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Publication Details

Journal
Journal of Italian Cinema and Media Studies
Published
2025-10-18
DOI
https://doi.org/10.1386/jicms_00345_1
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The scene of the crime: Models, identities and roles of the territory in Italian giallo and television crime drama series

Anna Sfardini, Massimo Scaglioni, Paolo Carelli
Journal of Italian Cinema and Media Studies
Cinema and Media Studies
article

The scene of the crime: Models, identities and roles of the territory in Italian giallo and television crime drama series

Anna Sfardini, Massimo Scaglioni, Paolo Carelli
article en

Abstract

During the last two decades, Italian crime TV series have increased considerably, becoming one of the main scripted television genres offered on national channels, both on free-to-air and pay-TV and streaming platforms, while additionally developing an ever-closer synergy with local territories and their representation. Focusing on the 2020–21 television season, this article provides some maps in order to highlight roles and identities of national places and territories in defining different types and gradations of Italian crime drama TV series. More specifically, it underlines the variety of functions that territories played through the plot and the way they could be represented alternatively as background or foreground, as well as realistic or imaginary, taking into account different models of representation of a multifaceted genre and its connections with geographical locations, which could explain the prominence of giallo in national popular culture.

Journal of Italian Cinema and Media Studies
Università Cattolica del Sacro Cuore (IT)
Openalex Percentile: Top 61%
Cinema and Media Studies
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