André Malraux et le maoïsme : l’entretien entre Malraux et Mao dans les <i>Antimémoires</i>

In Antimémoires , a substantial section is devoted to Malraux's 1965 trip to China, particularly his conversation with Mao Zedong, considered the highlight of the work. This article offers a literary and philosophical reading of this episode, first by examining how the character is symbolized and mythified, ultimately elevated to a timeless figure. It then explores the generic and stylistic features of the work, approached as an autofiction in which memory, imagination, and political discourse are intricately interwoven. The third part explores the presentation of Maoist thought and the personal reflections Malraux projects onto it. Finally, the study highlights the literary, political, and philosophical values of this narrative. By employing a distinctive narrative structure, Malraux constructs a mythical image of Mao while simultaneously expressing his own views on action, power, and destiny.

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Publication Details

Journal
French Cultural Studies
Published
2025-10-17
DOI
https://doi.org/10.1177/09571558251382403
Primary Topic
French Historical and Cultural Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

André Malraux et le maoïsme : l’entretien entre Malraux et Mao dans les Antimémoires

J. B. Jiao
French Cultural Studies
French Historical and Cultural Studies
article

André Malraux et le maoïsme : l’entretien entre Malraux et Mao dans les Antimémoires

J. B. Jiao
article en

Abstract

In Antimémoires , a substantial section is devoted to Malraux's 1965 trip to China, particularly his conversation with Mao Zedong, considered the highlight of the work. This article offers a literary and philosophical reading of this episode, first by examining how the character is symbolized and mythified, ultimately elevated to a timeless figure. It then explores the generic and stylistic features of the work, approached as an autofiction in which memory, imagination, and political discourse are intricately interwoven. The third part explores the presentation of Maoist thought and the personal reflections Malraux projects onto it. Finally, the study highlights the literary, political, and philosophical values of this narrative. By employing a distinctive narrative structure, Malraux constructs a mythical image of Mao while simultaneously expressing his own views on action, power, and destiny.

French Cultural StudiesVol. 37(1)
Université Lumière Lyon 2 (FR), Institut d'Histoire des Représentations et des Idées dans les Modernités (FR)
Openalex Percentile: Top 75%
French Historical and Cultural Studies
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