Every <i>Other</i> Thing Is Me: Wordsworthian Romantic Transcendence in the Postmodern <i>Possession</i>

ABSTRACT A. S. Byatt structures the visionary moments in her postmodern historiographic metafiction, Possession , to be exemplary models of a Wordsworthian, rather than Shelleyan, view of transcendence, with many of her scenes including an undercurrent of the Freudian psychoanalytic session. Byatt's postmodern construct extends Romantic visionary moments beyond the scope of characters to the reader and illustrates that a postmodern frame will likely always fit more naturally with a Wordsworthian, rather than Shelleyan, understanding of transcendence.

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Publication Details

Journal
Popular Culture Review
Published
2025-10-15
DOI
https://doi.org/10.1002/pcr4.70004
Primary Topic
Contemporary Literature and Criticism
Type
article
Field-Weighted Citation Impact
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article

Every Other Thing Is Me: Wordsworthian Romantic Transcendence in the Postmodern Possession

Lindsey Barlow
Popular Culture Review
Contemporary Literature and Criticism
article

Every Other Thing Is Me: Wordsworthian Romantic Transcendence in the Postmodern Possession

Lindsey Barlow
article en

Abstract

ABSTRACT A. S. Byatt structures the visionary moments in her postmodern historiographic metafiction, Possession , to be exemplary models of a Wordsworthian, rather than Shelleyan, view of transcendence, with many of her scenes including an undercurrent of the Freudian psychoanalytic session. Byatt's postmodern construct extends Romantic visionary moments beyond the scope of characters to the reader and illustrates that a postmodern frame will likely always fit more naturally with a Wordsworthian, rather than Shelleyan, understanding of transcendence.

Popular Culture ReviewVol. 36(2)
University of Southern Maine (US)
Openalex Percentile: Top 70%
Contemporary Literature and Criticism
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