Sharjah Biennial 16

Abstract This review of the Sharjah Biennial 16 focuses on the works of African diaspora artists within the exhibition. The biennial theme “to carry” explores themes of survival, cultural continuity, and global politics. African artists and several of their commissioned works are highlighted. Ndidi Dike's installations use photography and objects to examine trade, slavery, and resource extraction. Julianknxx's film blends poetry, performance, and film to explore diasporic narratives and oral traditions. Kaloki Nyamai's large-scale paintings incorporate newspapers and documents, reflecting on Kenyan culture and history. Rita Mawuena Benissan's mixed-media installation uncovers Ghanaian history and traditions through photographs, textiles, and film. Despite a limited presence, the African diaspora artists at the biennial presented compelling and agency-driven works that challenge Western perspectives and offer rich, layered experiences.

Authors

Institutions

Publication Details

Journal
Nka Journal of Contemporary African Art
Published
2025-10-15
DOI
https://doi.org/10.1215/10757163-12175961
Primary Topic
Archaeology and Historical Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Sharjah Biennial 16

Folasade Ologundudu
Nka Journal of Contemporary African Art
Archaeology and Historical Studies
article

Sharjah Biennial 16

Folasade Ologundudu
article en

Abstract

Abstract This review of the Sharjah Biennial 16 focuses on the works of African diaspora artists within the exhibition. The biennial theme “to carry” explores themes of survival, cultural continuity, and global politics. African artists and several of their commissioned works are highlighted. Ndidi Dike's installations use photography and objects to examine trade, slavery, and resource extraction. Julianknxx's film blends poetry, performance, and film to explore diasporic narratives and oral traditions. Kaloki Nyamai's large-scale paintings incorporate newspapers and documents, reflecting on Kenyan culture and history. Rita Mawuena Benissan's mixed-media installation uncovers Ghanaian history and traditions through photographs, textiles, and film. Despite a limited presence, the African diaspora artists at the biennial presented compelling and agency-driven works that challenge Western perspectives and offer rich, layered experiences.

Nka Journal of Contemporary African ArtVol. 2025(57)
Computer Based Training for Cognitive Behavioral Therapy (US)
Openalex Percentile: Top 70%
Archaeology and Historical Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Sharjah Biennial 16 — Folasade Ologundudu · Nka Journal of Contemporary African Art (2025) | TGRS Research Map | TGRS