<i>(Essere) fiume.</i> Reflejar el paisaje, activar la memoria topográfica.

(Essere) fiume is an artistic piece created and exhibited as part of the International Exhibition Ecos y Resonancias de la Tierra, located at the Carmen Jiménez Center in La Zubia, Granada, Spain, as part of the 1st FANZ Art and Nature Festival, held throughout the month of February 2025. Through the exploration of the confluence between the profound interpretation of Greek mimesis proposed by Giusseppe Penone in his series Essere fiume (1947-1981), in which art becomes a mirror of the cycles of transformation of nature and the artist who produces them, the piece presented derives from the Italian sculptor’s ideology and is based on the immateriality of reflection to not only reconstruct but also activate the topographical memory of the landscape. Thus, it evokes elements lost or transformed over time, thereby emphasizing that the environment in which art occurs is not a passive setting, but rather an element, an active protagonist that records, preserves, and (re)constructs its own narrative.

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Publication Details

Journal
ReCIA — Revista del Centro de Investigación en Artes
Published
2025-10-09
DOI
https://doi.org/10.21134/vfa03h94
Primary Topic
Historical and Environmental Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

(Essere) fiume. Reflejar el paisaje, activar la memoria topográfica.

Gabriela Pérez
ReCIA — Revista del Centro de Investigación en Artes
Historical and Environmental Studies
article

(Essere) fiume. Reflejar el paisaje, activar la memoria topográfica.

Gabriela Pérez
article en

Abstract

(Essere) fiume is an artistic piece created and exhibited as part of the International Exhibition Ecos y Resonancias de la Tierra, located at the Carmen Jiménez Center in La Zubia, Granada, Spain, as part of the 1st FANZ Art and Nature Festival, held throughout the month of February 2025. Through the exploration of the confluence between the profound interpretation of Greek mimesis proposed by Giusseppe Penone in his series Essere fiume (1947-1981), in which art becomes a mirror of the cycles of transformation of nature and the artist who produces them, the piece presented derives from the Italian sculptor’s ideology and is based on the immateriality of reflection to not only reconstruct but also activate the topographical memory of the landscape. Thus, it evokes elements lost or transformed over time, thereby emphasizing that the environment in which art occurs is not a passive setting, but rather an element, an active protagonist that records, preserves, and (re)constructs its own narrative.

ReCIA — Revista del Centro de Investigación en Artes(2)
Universidad de Granada (ES)
Openalex Percentile: Top 61%
Historical and Environmental Studies
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