Utilizing Jackfruit Leaf Ash as a Glaze in Ceramic Art

The objective of this research was to apply ash glaze—specifically jackfruit leaf ash—to ceramic works in order to enhance their aesthetic value. The study involved expertise from both fine arts, particularly ceramic art, and chemical engineering, and was conducted using an inquiry-based research approach. An experimental method was employed, specifically a pre-experimental intact-group comparison design, with samples divided into four formulas containing different ash mixtures. In this study, organic ash was blended with Kebumen soil, Sukabumi soil, and ready-to-use transparent glazes (F.107 and F.3T). The results demonstrated that jackfruit leaf ash glaze produced unique textural characteristics and natural color tones (including white-gray, cream, beige, and brown), with transparent, opaque, and semi-matte glaze qualities. Furthermore, this ash glaze was applied as a decorative finish on functional ceramic craft products, either as a single formula, in combination with other jackfruit ash glaze formulas, or with the addition of oxide colorants. Adjustments were also made to the glaze composition percentages to achieve varied visual effects. The ceramics used in this study were made from Sukabumi clay, which proved to be well-suited to the jackfruit leaf ash glaze formulation.

Authors

Institutions

Publication Details

Journal
ARTCHIVE Indonesia Journal of Visual Art and Design
Published
2025-06-18
DOI
https://doi.org/10.53666/artchive.v6i1.4825
Primary Topic
Recycling and utilization of industrial and municipal waste in materials production
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Utilizing Jackfruit Leaf Ash as a Glaze in Ceramic Art

Himawan Tri Bayu Murti Petrus, Caecilia Tridjata Suprabanindya, Fariz Al Hazmi
ARTCHIVE Indonesia Journal of Visual Art and Design
Recycling and utilization of industrial and municipal waste in materials production
article

Utilizing Jackfruit Leaf Ash as a Glaze in Ceramic Art

Himawan Tri Bayu Murti Petrus, Caecilia Tridjata Suprabanindya, Fariz Al Hazmi
article en

Abstract

The objective of this research was to apply ash glaze—specifically jackfruit leaf ash—to ceramic works in order to enhance their aesthetic value. The study involved expertise from both fine arts, particularly ceramic art, and chemical engineering, and was conducted using an inquiry-based research approach. An experimental method was employed, specifically a pre-experimental intact-group comparison design, with samples divided into four formulas containing different ash mixtures. In this study, organic ash was blended with Kebumen soil, Sukabumi soil, and ready-to-use transparent glazes (F.107 and F.3T). The results demonstrated that jackfruit leaf ash glaze produced unique textural characteristics and natural color tones (including white-gray, cream, beige, and brown), with transparent, opaque, and semi-matte glaze qualities. Furthermore, this ash glaze was applied as a decorative finish on functional ceramic craft products, either as a single formula, in combination with other jackfruit ash glaze formulas, or with the addition of oxide colorants. Adjustments were also made to the glaze composition percentages to achieve varied visual effects. The ceramics used in this study were made from Sukabumi clay, which proved to be well-suited to the jackfruit leaf ash glaze formulation.

ARTCHIVE Indonesia Journal of Visual Art and DesignVol. 6(1)
Universitas Gadjah Mada (ID), Universitas Indraprasta PGRI (ID), State University of Jakarta (ID)
Openalex Percentile: Top 69%
Recycling and utilization of industrial and municipal waste in materials production
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.