Between noir and poliziesco all’italiana: Italian crime shows and the ‘noirification’ of contemporary television seriality

This article addresses the development of TV crime dramas in Italy during the last two decades, arguing that the impact of international shows as well as national literary series gradually led to significant changes in the crime series produced by both public and private broadcasters. In particular, a few recent crime series produced by Rai participate in a process of ‘noirification’ of crime narratives, in an attempt to produce noir series addressed to an international audience and characterized by the combination of national literary sources and the model of US quality television. On the one hand, the aim is to explore the specific traits of the national approach to crime narratives. On the other hand, the investigation gives the opportunity to reflect upon the ‘noirification’ of European popular narratives more broadly, examining the uses of genre to increase the cultural and commercial value of TV series on the international market.

Authors

Institutions

Publication Details

Journal
Journal of Italian Cinema and Media Studies
Published
2025-10-14
DOI
https://doi.org/10.1386/jicms_00346_1
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Between noir and poliziesco all’italiana: Italian crime shows and the ‘noirification’ of contemporary television seriality

Sara Casoli, Federico Pagello
Journal of Italian Cinema and Media Studies
Cinema and Media Studies
article

Between noir and poliziesco all’italiana: Italian crime shows and the ‘noirification’ of contemporary television seriality

Sara Casoli, Federico Pagello
article en

Abstract

This article addresses the development of TV crime dramas in Italy during the last two decades, arguing that the impact of international shows as well as national literary series gradually led to significant changes in the crime series produced by both public and private broadcasters. In particular, a few recent crime series produced by Rai participate in a process of ‘noirification’ of crime narratives, in an attempt to produce noir series addressed to an international audience and characterized by the combination of national literary sources and the model of US quality television. On the one hand, the aim is to explore the specific traits of the national approach to crime narratives. On the other hand, the investigation gives the opportunity to reflect upon the ‘noirification’ of European popular narratives more broadly, examining the uses of genre to increase the cultural and commercial value of TV series on the international market.

Journal of Italian Cinema and Media Studies
University of Chieti-Pescara (IT), University of Florence (IT)
Openalex Percentile: Top 62%
Cinema and Media Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.