From Montalbano to Savastanos: The circulation of Italian crime dramas in Spain

This article seeks to map the Italian crime dramas broadcast in Spain. Then we move on to the twenty-first century to analyse the scope of Italian TV crime in contemporary Spanish TV. As case studies for our investigation, we use the circulation and reception in Spain of two Italian series: Il commissario Montalbano ( El comisario Montalbano , Inspector Montalbano ) (1999–2021) and Gomorra – La serie ( Gomorra, Gomorrah ) (2014–21). Using a political economy approach, we first examine the reception of the literary sources by Andrea Camilleri and Roberto Saviano. Second, we contextualize the significant shifts in the Spanish media landscape where those series were broadcast. Third, we determine why and how these TV series were useful and appealing to Spanish programmers. The research is complemented with audience data, an analysis of the series’ aesthetics and their critical reception.

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Publication Details

Journal
Journal of Italian Cinema and Media Studies
Published
2025-10-14
DOI
https://doi.org/10.1386/jicms_00354_1
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
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article

From Montalbano to Savastanos: The circulation of Italian crime dramas in Spain

Ana Mejón, Rubén Romero Santos
Journal of Italian Cinema and Media Studies
Cinema and Media Studies
article

From Montalbano to Savastanos: The circulation of Italian crime dramas in Spain

Ana Mejón, Rubén Romero Santos
article en

Abstract

This article seeks to map the Italian crime dramas broadcast in Spain. Then we move on to the twenty-first century to analyse the scope of Italian TV crime in contemporary Spanish TV. As case studies for our investigation, we use the circulation and reception in Spain of two Italian series: Il commissario Montalbano ( El comisario Montalbano , Inspector Montalbano ) (1999–2021) and Gomorra – La serie ( Gomorra, Gomorrah ) (2014–21). Using a political economy approach, we first examine the reception of the literary sources by Andrea Camilleri and Roberto Saviano. Second, we contextualize the significant shifts in the Spanish media landscape where those series were broadcast. Third, we determine why and how these TV series were useful and appealing to Spanish programmers. The research is complemented with audience data, an analysis of the series’ aesthetics and their critical reception.

Journal of Italian Cinema and Media Studies
Universidad Carlos III de Madrid (ES)
Openalex Percentile: Top 62%
Cinema and Media Studies
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From Montalbano to Savastanos: The circulation of Italian crime dramas in Spain — Ana Mejón, Rubén Romero Santos · Journal of Italian Cinema and Media Studies (2025) | TGRS Research Map | TGRS