Abdülhak Hâmid Tarhan’ın Finten Adlı Eserinde Kadının Temsili: Feminist Edebiyat Kuramı Bağlamında Bir Analiz

Abdülhak Hâmid Tarhan has a different position from the artists of his period due to the fact that he deals with the social position of female protagonists in his works. This work, which feeds on the personal observations of the artist and is suitable to be evaluated within the scope of Marxist-socialist feminism theory, reveals how women are positioned in social and economic terms from the perspective of a male writer. In addition, the social and individual differences between men and women are clearly emphasised in the work. The fact that women are both economically dependent on men and seek emotional attachment in line with their gender roles in society is clearly addressed in the work. On the other hand, it is possible to see in the work a mental understanding that men act with the desire for power, power and possession. Finten, the protagonist of the work, is constructed as a figure who challenges the female roles of the period and seeks power and power. Finten, who takes a stance against the passive and dependent identity assigned to women by the patriarchal system, instrumentalises love and human relations in line with economic and social gains. In addition, the presence of different female characters in the work reveals the diversity of female experiences and the multifaceted effects of the social structure on women. This work, which deals with women not only as an emotional being but also as a strategic subject, stands out as a remarkable text when analysed from a literary and intellectual perspective in the context of feminist theory.