Representation of prostitutes in Thai songs, 2019–2024

This research article analyzes the representation of prostitutes in eight Thai songs (2019–2024) from YouTube, using the concepts of ‘Representation’ and ‘Literary Devices’ as the analytical framework. The findings reveal a complex and often contradictory portrayal. The representations encompass six main themes: agency and its constraints; victimization and vulnerability; power dynamics, negotiation, and resistance; sexual objectification and commodification; class and economic dimensions; and social stigma, sin, and exclusion. These songs serve as a crucial social outlet, reflecting society’s imaginings and perspectives on prostitutes, and facilitating a more profound understanding of these cognitive and affective dimensions. While many representations portray prostitutes through the lens of victimization, objectification, and social stigma stemming from socio-economic pressures, a significant counter-narrative also emerges. Some songs actively present prostitutes as individuals possessing agency, engaging in negotiation and resistance to challenge societal norms. This latter trend is particularly salient amidst ongoing social movements in Thailand advocating for widespread legal reforms related to prostitution.

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Publication Details

Journal
Cogent Arts and Humanities
Published
2025-10-10
DOI
https://doi.org/10.1080/23311983.2025.2566966
Primary Topic
Southeast Asian Sociopolitical Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Representation of prostitutes in Thai songs, 2019–2024

Kritsada Kantichol, Chutacaphat Rattanaphan, Kawinsara Sudjai
Cogent Arts and Humanities
Southeast Asian Sociopolitical Studies
article

Representation of prostitutes in Thai songs, 2019–2024

Kritsada Kantichol, Chutacaphat Rattanaphan, Kawinsara Sudjai
article en

Abstract

This research article analyzes the representation of prostitutes in eight Thai songs (2019–2024) from YouTube, using the concepts of ‘Representation’ and ‘Literary Devices’ as the analytical framework. The findings reveal a complex and often contradictory portrayal. The representations encompass six main themes: agency and its constraints; victimization and vulnerability; power dynamics, negotiation, and resistance; sexual objectification and commodification; class and economic dimensions; and social stigma, sin, and exclusion. These songs serve as a crucial social outlet, reflecting society’s imaginings and perspectives on prostitutes, and facilitating a more profound understanding of these cognitive and affective dimensions. While many representations portray prostitutes through the lens of victimization, objectification, and social stigma stemming from socio-economic pressures, a significant counter-narrative also emerges. Some songs actively present prostitutes as individuals possessing agency, engaging in negotiation and resistance to challenge societal norms. This latter trend is particularly salient amidst ongoing social movements in Thailand advocating for widespread legal reforms related to prostitution.

Cogent Arts and HumanitiesVol. 12(1)
Center for Applied Linguistics (US), Walailak University (TH)
Openalex Percentile: Top 67%
Southeast Asian Sociopolitical Studies
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