Hell is other poets: Tibullus, Ovid and Statius in queer Elysium

Abstract The Underworld is a ‘shared space’ for poets and their poems, but one that exists on different timelines to Upperworld spaces, such that it is built on cyclicality rather than linearity. In this article, I explore the cycles within and between the homoerotic Underworld poetry of Tibullus, Domitius Marsus, Ovid and Statius. Using a combination of traditional philology and queer temporal approaches, I show how characters ‘recycle’ through these texts, so that Tibullus’ Marathus cycles into Statius’ Philetus through metapoetic metempsychosis. I begin with the role of the Underworld in Latin poetry, before turning to Tibullus’ death, as commemorated by Ovid and Marsus. Next, I explore how Tibullus ‘kills’ Marathus, so that Ovid can hint at his being in the Underworld. Finally, I turn to Statius’ poem on Philetus to show how it continues the cycles of earlier poetry, before concluding with a discussion of the consequences of Elysium’s queerness.

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Publication Details

Journal
The Journal of Roman Studies
Published
2025-08-15
DOI
https://doi.org/10.1017/s0075435825000528
Primary Topic
Classical Antiquity Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Hell is other poets: Tibullus, Ovid and Statius in queer Elysium

J. L. Watson
The Journal of Roman Studies
Classical Antiquity Studies
article

Hell is other poets: Tibullus, Ovid and Statius in queer Elysium

J. L. Watson
article en

Abstract

Abstract The Underworld is a ‘shared space’ for poets and their poems, but one that exists on different timelines to Upperworld spaces, such that it is built on cyclicality rather than linearity. In this article, I explore the cycles within and between the homoerotic Underworld poetry of Tibullus, Domitius Marsus, Ovid and Statius. Using a combination of traditional philology and queer temporal approaches, I show how characters ‘recycle’ through these texts, so that Tibullus’ Marathus cycles into Statius’ Philetus through metapoetic metempsychosis. I begin with the role of the Underworld in Latin poetry, before turning to Tibullus’ death, as commemorated by Ovid and Marsus. Next, I explore how Tibullus ‘kills’ Marathus, so that Ovid can hint at his being in the Underworld. Finally, I turn to Statius’ poem on Philetus to show how it continues the cycles of earlier poetry, before concluding with a discussion of the consequences of Elysium’s queerness.

The Journal of Roman StudiesVol. 115
University of Warwick (GB)
Openalex Percentile: Top 68%
Classical Antiquity Studies
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