Representaciones visuales del paisaje loretano: de la autenticidad al sentido de lugar

There is a significant visual tradition that, through painting and photography, has represented the Amazonian region of Loreto and the city of Iquitos. By discussing the concepts of landscape, authenticity, and sense of place, this article aims to analyze this tradition and new emerging forms of representation. To this end, canonical images have been analyzed and more than fifteen contemporary artists have been interviewed. It is argued that: i) this tradition is anchored in landscape painting, ii) that the authenticity of these images is achieved through their ability to mimic the landscape depicted, and iii) that artists have emerged who deconstruct previous landscapes, explicitly destabilizing hegemonic visual regimes. The article concludes with the need to shift from an emphasis on authenticity to an understanding of the embodied senses of place from which visual representations emerge.

Authors

Institutions

Publication Details

Journal
Desde el Sur Revista de Ciencias Humanas y Sociales de la Universidad Científica del Sur
Published
2025-08-29
DOI
https://doi.org/10.21142/des-1703-2025-0056
Primary Topic
Urbanism, Landscape, and Tourism Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Representaciones visuales del paisaje loretano: de la autenticidad al sentido de lugar

Gerardo Castillo
Desde el Sur Revista de Ciencias Humanas y Sociales de la Universidad Científica del Sur
Urbanism, Landscape, and Tourism Studies
article

Representaciones visuales del paisaje loretano: de la autenticidad al sentido de lugar

Gerardo Castillo
article en

Abstract

There is a significant visual tradition that, through painting and photography, has represented the Amazonian region of Loreto and the city of Iquitos. By discussing the concepts of landscape, authenticity, and sense of place, this article aims to analyze this tradition and new emerging forms of representation. To this end, canonical images have been analyzed and more than fifteen contemporary artists have been interviewed. It is argued that: i) this tradition is anchored in landscape painting, ii) that the authenticity of these images is achieved through their ability to mimic the landscape depicted, and iii) that artists have emerged who deconstruct previous landscapes, explicitly destabilizing hegemonic visual regimes. The article concludes with the need to shift from an emphasis on authenticity to an understanding of the embodied senses of place from which visual representations emerge.

Desde el Sur Revista de Ciencias Humanas y Sociales de la Universidad Científica del SurVol. 17(3)
Pontificia Universidad Católica del Perú (PE)
Openalex Percentile: Top 67%
Urbanism, Landscape, and Tourism Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Representaciones visuales del paisaje loretano: de la autenticidad al sentido de lugar — Gerardo Castillo · Desde el Sur Revista de Ciencias Humanas y Sociales de la Universidad Científica del Sur (2025) | TGRS Research Map | TGRS