Hearing London’s Sailortown in Shanty Repertoire

Abstract London’s nineteenth-century sailortown – centred around Ratcliffe Highway and the surrounding docklands – was a vital hub of maritime activity. Yet much of what is known about this space derives from landsmen’s accounts: narratives by Victorian reformers, novelists and journalists who often portrayed the sailortown as a site of crime, vice and moral degeneration. In contrast, sea shanties, rooted in the lived experiences of sailors themselves, offer an alternative perspective, illuminating the values and self-perceptions of the maritime community. This article examines how London’s sailortown is represented in shanty repertoire, analysing the lyrics of shanties associated with the city to reveal recurring themes, such as encounters with women, financial exploitation, alcohol consumption and the dangers of the Highway. These songs provide insight not only into the everyday lives of sailors ashore but also into how they navigated and interpreted urban spaces. Furthermore, by considering the broader soundscapes of the docklands (including the influence of street performers, public houses and the music hall), this study explores how urban auditory culture shaped the content and form of shanties. By highlighting sailors’ voices through their songs, this article reconstructs a more nuanced and culturally embedded understanding of London’s sailortown and its place within the wider maritime world.