From categories of art to categories of artifact

Abstract Artifact kinds have members—e.g., this and that chair—have normative properties—e.g., a chair is supposed to be sat upon—and they may change—e.g., pipe cleaners were used for cleaning smoking pipes, now they serve as craft materials (Carlson & Parsons, 2008). A theory of artifact kinds should therefore satisfy these desiderata (KIND MEMBERSHIP, NORMATIVITY, CHANGE). This paper aims to raise an alternative anti-essentialist account about artifact kinds that can satisfy the desiderata. I first explain the distinction between essentialism and anti-essentialism about artifacts, situating the proposed account in the anti-essentialist terrain. I then refine the pluralistic anti-essentialist account (PAA) by adopting Kendall Walton’s distinction between standard, contra-standard, and variable properties. By adopting Walton’s distinctions to all artifact kinds, I show that PAA can satisfy each desideratum.

Authors

Institutions

Publication Details

Journal
Synthese
Published
2025-10-07
DOI
https://doi.org/10.1007/s11229-025-05056-w
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

From categories of art to categories of artifact

Alper Güngör
Synthese
Aesthetic Perception and Analysis
article

From categories of art to categories of artifact

Alper Güngör
article en

Abstract

Abstract Artifact kinds have members—e.g., this and that chair—have normative properties—e.g., a chair is supposed to be sat upon—and they may change—e.g., pipe cleaners were used for cleaning smoking pipes, now they serve as craft materials (Carlson & Parsons, 2008). A theory of artifact kinds should therefore satisfy these desiderata (KIND MEMBERSHIP, NORMATIVITY, CHANGE). This paper aims to raise an alternative anti-essentialist account about artifact kinds that can satisfy the desiderata. I first explain the distinction between essentialism and anti-essentialism about artifacts, situating the proposed account in the anti-essentialist terrain. I then refine the pluralistic anti-essentialist account (PAA) by adopting Kendall Walton’s distinction between standard, contra-standard, and variable properties. By adopting Walton’s distinctions to all artifact kinds, I show that PAA can satisfy each desideratum.

SyntheseVol. 206(4)
McGill University (CA)
Openalex Percentile: Top 72%
Aesthetic Perception and Analysis
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.