Silent Nature in the Poetry of Maysoon Abu Bakr... Diwan "Seagulls in the Color of the Sea" as a model

This research seeks, through an objective and analytical approach, to monitor the silent natural manifestations in Diwan "Seagulls in the Sea", and how the poet employs poetic images, and their connection with other poetic text building elements. The research deals with the manifestations of silent nature, which was characterized by the use of the "Maysoon Abu Bakr" `s Diwan "Sea-colored Seagulls" in an attempt to probe the depths of her experience, and to show the connotations that she employed therein through immersion in the components and elements of nature. The research yielded a number of results, the most important of which is the poet’s keenness in the description of the silent nature that goes beyond the confines of traditional images, familiar expressive patterns, and repetitive structural templates, to innovative poetic images that have their own characteristics and advantages.

Authors

Publication Details

Journal
UB Journal for Humanities
Published
2025-07-15
DOI
https://doi.org/10.65073/1658-9343.1004
Primary Topic
Islamic Studies and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Silent Nature in the Poetry of Maysoon Abu Bakr... Diwan "Seagulls in the Color of the Sea" as a model

Zuhir Hassan Alamri
UB Journal for Humanities
Islamic Studies and History
article

Silent Nature in the Poetry of Maysoon Abu Bakr... Diwan "Seagulls in the Color of the Sea" as a model

Zuhir Hassan Alamri
article en

Abstract

This research seeks, through an objective and analytical approach, to monitor the silent natural manifestations in Diwan "Seagulls in the Sea", and how the poet employs poetic images, and their connection with other poetic text building elements. The research deals with the manifestations of silent nature, which was characterized by the use of the "Maysoon Abu Bakr" `s Diwan "Sea-colored Seagulls" in an attempt to probe the depths of her experience, and to show the connotations that she employed therein through immersion in the components and elements of nature. The research yielded a number of results, the most important of which is the poet’s keenness in the description of the silent nature that goes beyond the confines of traditional images, familiar expressive patterns, and repetitive structural templates, to innovative poetic images that have their own characteristics and advantages.

UB Journal for HumanitiesVol. 1(1)
Openalex Percentile: Top 68%
Islamic Studies and History
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